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  • Lear

    Opera

    Aribert Reimann

    Palais Garnier - from 20 May to 12 June 2016

    Elisa Haberer / OnP

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Lear

Palais Garnier - from 20 May to 12 June 2016

Book Subscribe Option booking This production is no longer available for subscription

Lear

New show

Opera Aribert Reimann

Book Subscribe Option booking This production is no longer available for subscription

Personal offers for this show

Palais Garnier - from 20 May to 12 June 2016

3h00 with 1 interval

About

In few words:

"Where am I? Is it day? I don’t know what to say. Are these hands mine? How I long to know who I am!"

- Lear, Partie II, scène 6


Berlioz wrote nothing more than an overture to Shakespeare’s King Lear. Debussy went no further than the first two numbers of the incidental music he had agreed to write for André Antoine’s production of the play. Verdi, who procrastinated endlessly over this “vast and tortuous” tragedy that had haunted him since 1843, confessed towards the end of his life that the scene where Lear finds himself on the moor had terrified him. Hoping to do justice to the role “less out of theatrical ambition” than because he had long “believed that the various levels of the inner and outer drama could be adapted and effectively expressed in music”, the great German baritone Dietrich Fischer-Dieskau appealed to Benjamin Britten before turning to the German composer, Aribert Reimann.

At first hesitant, the latter finally set to work. After repeatedly reading the play, the work eventually took root and he stored away the music in “a sort of drawer somewhere in [his] head”.
A commission from the Munich Staatsoper in 1975 triggered the actual composition. “Rarely has anyone depicted so convincingly – except perhaps Alban Berg in Wozzeck – the fact that a man's solitude is due to his own incapacity to see those around him”, wrote the first performer of this major 20th century opera composed at his initiative. This new production by Calixto Bieito marks the first revival of the work at the Paris Opera since its French premiere in 1982.

Performances

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Available in audiodescription

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Whether you’re a member of Arop or not, the friends of the Opera can reserve seats for you on all performance dates, including those not yet open for sale and those announced as sold out.
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Audio clips

Podcast | Lear - Aribert Reimann

— By In partnership with France Musique

About the work

Partners

  • Sponsor of the Paris Opera initiatives for young people and of the avant-premières

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  • With the support of AROP

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Broadcast on France Musique on 18 June.

Media and technical partners

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