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Born in Lucerne, Sarah Derendinger has explored the intersection between experimental cinema and multimedia installations since the 1990s. She has directed numerous films before focusing on complex video installations, often multi-channel works incorporating live cameras.
Her work has been presented internationally, including at the Berlin Theatertreffen, the Grand Théâtre de Genève, English National Opera, Teatro Real in Madrid, and La Monnaie in Brussels. Since 2013, she has collaborated with Calixto Bieito and has created video installations for artists including Jossi Wieler, Heiner Goebbels, Barbora Horáková Joly, and Andrea Moses.
Alongside her work in theatre and opera, she has pursued a distinguished career as a filmmaker. Her documentaries and experimental films have been screened at numerous international festivals. Since 1993, she has directed documentaries, live broadcasts, and television series for Swiss public broadcaster SRF. More recently, she has created video operas, including Arne Nordheim's Tempest and The Rape of Lucretia, bringing her distinctive approach to video art into stage productions.
At the Paris Opera: Lear (2016); Simon Boccanegra (2018); Das Rheingold (2025); Die Walküre (2025); Siegfried (2026).
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