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Elisa Haberer / OnP

Elisa Haberer / OnP

Opera

Hamlet

Ambroise Thomas

Opéra Bastille

from 18 September to 09 October 2026

from €17 to €155

3h40 with 1 interval

Synopsis

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In the 1860s, Ambroise Thomas was among those composers who, like Verdi with Macbeth and Gounod with Roméo et Juliette, chose to bring a Shakespeare play to the opera stage. He selected Hamlet, the most famous and also the most philosophical. In the version crafted by librettists Jules Barbier and Michel Carré, the Prince of Denmark loses some of his metaphysical dimension, which is offset by a score full of vivid detail, even featuring two saxophone solos.

While Ambroise Thomas draws on the codes of French grand opera – five acts, a ballet, large forces – he reshapes the form by focussing on the inner drama. Premiered in 1868 at the Paris Opera, the work was a great success. Director Krzysztof Warlikowski offers a psychoanalytic reading of the opera – here performed in the tenor version – in which Hamlet, trapped inside his memories and obsessions, relives the trauma of his father’s murder.

Duration : 3h40 with 1 interval

Language : French

Surtitle : French / English

Show acts and characters

CHARACTERS

Hamlet: Prince of Denmark, son of Gertrude
Ophelia: Daughter of Polonius engaged to Hamlet
Gertrud: Queen of Denmark and wife of Claudius
Claudius: King of Denmark and uncle of Hamlet
Laërte: Ophelia’s brother
The King’s Spectre: Ghost of Hamlet’s father
Horatio and Marcellus: Friends of Hamlet
Polonius: Lord Chamberlain    

First part

Act 1:
Hamlet is disgusted to see his mother, a mere two months after his father’s death, marry his brother. Mourning is followed by wedding and coronation celebrations. Despite the human fickleness that surrounds him, Hamlet tells Ophelia that she can doubt everything but his love. Hamlet learns from Horatio and Marcellus that they have seen his father’s Spectre. On the Esplanade where Hamlet has followed his friends, the Spectre appears to him and reveals that he was betrayed by Gertrude, his wife, and murdered by his brother, the new King. The Spectre calls upon his son to avenge him.

Act 2:
Ophelia complains of Hamlet’s cold and distant attitude. The Queen, distressed by her son’s attitude, hopes that Ophelia will be able to bring him reason and peace. The King and the Queen seek to reassure themselves: Hamlet suspects nothing. Hamlet refuses to call the King “father” when the latter suggests it. Upon hearing of their arrival, Hamlet informs the King and Queen that actors will entertain them during the evening. Hamlet asks the actors to perform the tragedy of King Gonzago and Queen Genever. The murder of the King that the play portrays should make his father-in-law and his mother react. This is what happens. Hamlet then calls for revenge and the death of the culprit. In a state of delirium, Hamlet falls into the arms of Marcellus and Horatio while the whole court remains distraught.

Second part

Act 3:
Hamlet is alone. “To be or not to be... oh mystery... to die... to sleep... perchance to dream”: such is Hamlet’s entry into metaphysics. He discovers that the King is not far from him. He hesitates to kill him when he discovers him kneeling in prayer, since repentance, he thinks, might save his soul. Polonius, Ophelia’s father, is talking to the King. Hamlet deduces that he was an accomplice in his father’s death. He then declares to Ophelia that she must lock herself away in a convent. He no longer believes in anything, not even in love. His soul is like marble, he declares to her. Ophelia is desperate. The Queen tries to reason with her son. But his violence and his rejection frighten her. Hamlet tells her that he knows everything and that he will take revenge. The Spectre appears to remind Hamlet to leave the Queen to the judgment of Heaven and to go after the murderous King.

Act 4:
Alone, Ophelia, who calls herself “Hamlet’s wife”, plunges into madness, sinks into the water of a river and dies.

Act 5:
Hamlet speaks with two gravediggers who have forgotten the name of the person for whom the grave they are digging is intended. Hamlet mourns Ophelia without knowing that she is dead. Laertes, in despair over his sister’s death, reveals Ophelia’s demise to Hamlet. When the funeral procession arrives, Hamlet wants to commit suicide. Horatio and Marcellus prevent him from doing so. The Spectre appears. This time, in full view of everyone, Hamlet kills the King, “my father’s murderer”. “Live for your people, it is God that makes you King”, declares the Spectre to his son.

Show chronology

Timeline

  • Vers 1200

    Circa 1200 The Dane Saxo Grammaticus writes the Gesta Danorum, an account of his country’s history from antiquity to the Middle Ages. It features the character of Amlet, son of King Ørvendil. Feng, the king’s brother, murders the latter and marries his widow Gerutha.

  • 1603

    The first version of William Shakespeare’s The Tragical History of Hamlet, Prince of Denmark is published (Quarto 1). A second, more extensive version appears the following year (Quarto 2).

  • 1769

    Hamlet enters the repertoire of the Comédie- Française in an adaptation by Jean-François Ducis. This “tragedy in five acts and in verse”, privileging the French classical aesthetic at the expense of compliance with Shakespeare, is a great success.

  • 1823

    Stendhal publishes Racine et Shakespeare in which he defends a literary revival in which classicism is undermined by the English author.

  • 1847

    In a translation by Alexandre Dumas and François Paul Meurice, Hamlet, prince de Danemark is created at the Théâtre- Historique. The play is widely recognised as conforming to the original and will serve as a basis for Ambroise Thomas’ librettists. It enters the repertoire of the Comédie- Française in 1886, replacing Ducis’.

  • 1865

    Based on a libretto by Arrigo Boito after Shakespeare, Franco Faccio’s opera Amleto is created in Genoa.

  • 1868

    On 9 March, premiere of Ambroise Thomas’s Hamlet at the Paris Opera, then known as the Académie Impériale de Musique.

  • 1869

    At Covent Garden in London, the second version of Thomas’s Hamlet is created.

  • 1899

    In his The Interpretation of Dreams, Sigmund Freud invokes the figure of Hamlet – a recurrent theme in his writings. He sees in him the justification of the OEdipus complex: a desire for parricide and sexual union with the mother.

  • 1964

    To mark the 400th anniversary of Shakespeare’s birth, the Ukrainianborn Soviet director Grigori Kozintsev adapts Hamlet to the cinema in a film of the same name.

  • 2001

    Krzysztof Warlikowski’s first theatre production on a French stage with Hamlet (in a Polish adaptation) at the Avignon Festival.

  • 2017

    On the stage of the Opéra Bastille, Krzysztof Warlikowski directs Verdi’s Don Carlos, the French «grand opéra» first performed on the stage of the Paris Opera in 1867, one year before Hamlet.

Artists

opera in five acts (1868)

After William Shakespeare

Creative team

Cast

Orchestre et Chœurs de l’Opéra national de Paris

Media

HAMLET by Ambroise Thomas (trailer)
HAMLET by Ambroise Thomas (trailer)
  • Hamlet, the true/false story

    Hamlet, the true/false story

    Discover

  • Ambroise Thomas' Hamlet and the Shakespearean spectre

    Ambroise Thomas' Hamlet and the Shakespearean spectre

    Watch the video

  • Ambroise Thomas' Hamlet - Beyond Black

    Ambroise Thomas' Hamlet - Beyond Black

    Watch the video

  • Draw-me Hamlet

    Draw-me Hamlet

    Watch the video

© François Fontaine/ Agence VU'

Hamlet, the true/false story

Discover

01 min

Hamlet, the true/false story

By aria

A story of vengeful ghosts and conspiracies… No, it’s not Ghostbusters’ pitch, but the world of Hamlet. Will you be able to unravel this Ambroise Thomas’s story? You’re in!  

© Bernd Uhlig / OnP

Ambroise Thomas' Hamlet and the Shakespearean spectre

Watch the video

Interview with Ludovic Tézier

8:34 min

Ambroise Thomas' Hamlet and the Shakespearean spectre

By Marion Mirande

It is a major musical and dramatic challenge for a baritone to perform the title role in Ambroise Thomas' opera. In Krzysztof Warlikowski's new production, Ludovic Tézier shoulders this responsibility and raises the question of the true nature of Shakespeare's anti-hero.  

© Elena Bauer / OnP

Ambroise Thomas' Hamlet - Beyond Black

Watch the video

Interview with Pierre Dumoussaud

6:12 min

Ambroise Thomas' Hamlet - Beyond Black

By Marion Mirande

Absent from the Paris Opera stage for nearly a decade, Ambroise Thomas' Hamlet is being performed for the first time at the Opéra Bastille in a new production by Krzysztof Warlikowski, conducted by Pierre Dumoussaud.

Created in 1868, a few months after Verdi's Don Carlos, Thomas' work is a unique musical and theatrical entity, as the conductor explains.  

© Matthieu Pajot / OnP

Draw-me Hamlet

Watch the video

Understand the plot in 1 minute

1:25 min

Draw-me Hamlet

By Matthieu Pajot

Driven by his father’s spectre to avenge his death, Hamlet emerges as a great tragic character, unable to exist on his own and to build a life independent of his parents and their fate. His impossible liberation from the father figure complicates his bond with his mother. As his father’s heir, Hamlet is confronted with the Freudian situation of Oedipus, torn between filial love and sexual desire.

  • [EXTRAIT] Hamlet by Ambroise Thomas - Ludovic Tézier, "Être ou ne pas être"
  • [EXTRAIT] Hamlet by Ambroise Thomas - Eve-Maud Hubeaux, "Dans son regard plus sombre"
  • [EXTRAIT] Hamlet by Ambroise Thomas - Ludovic Tézier, Invocation
  • [EXTRAIT] Hamlet by Ambroise Thomas - Lisette Oropesa, Air de la folie
  • [EXTRAIT] Hamlet by Ambroise Thomas - Ludovic Tézier, "Être ou ne pas être"
  • [EXTRAIT] Hamlet by Ambroise Thomas - Lisette Oropesa, Air de la folie
  • [EXTRAIT] Hamlet by Ambroise Thomas - Ludovic Tézier, Invocation
  • [EXTRAIT] Hamlet by Ambroise Thomas - Eve-Maud Hubeaux, "Dans son regard plus sombre"
  • [EXTRAIT] Hamlet by Ambroise Thomas - Ludovic Tézier, "Être ou ne pas être"
  • [EXTRAIT] Hamlet by Ambroise Thomas - Eve-Maud Hubeaux, "Dans son regard plus sombre"
  • [EXTRAIT] Hamlet by Ambroise Thomas - Ludovic Tézier, Invocation
  • [EXTRAIT] Hamlet by Ambroise Thomas - Lisette Oropesa, Air de la folie
  • [EXTRAIT] Hamlet by Ambroise Thomas - Ludovic Tézier, "Être ou ne pas être"
  • [EXTRAIT] Hamlet by Ambroise Thomas - Lisette Oropesa, Air de la folie
  • [EXTRAIT] Hamlet by Ambroise Thomas - Ludovic Tézier, Invocation
  • [EXTRAIT] Hamlet by Ambroise Thomas - Eve-Maud Hubeaux, "Dans son regard plus sombre"
  • Hamlet (saison 22/23) - Acte 5

  • Hamlet (saison 22/23) - Acte 1

  • Hamlet (saison 22/23) - Acte 1

  • Hamlet (saison 22/23) - Acte 2

  • Hamlet (saison 22/23) - Acte3

  • Hamlet (saison 22/23) - Acte 3

  • Hamlet (saison 22/23) - Acte 3

  • Hamlet (saison 22/23) - Acte 4

Press

  • With this brilliantly reimagined Hamlet, Warlikowski proves that he remains a first-rate artist, true to his ideas and obsessions, and one we continue to admire for all these reasons.

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Hamlet


Watch online the recording from season 22/23 on Paris Opera Play, with Ludovic Tézier, Lisette Oropesa, Jean Teitgen, Ève-Maud Hubeaux...

7-DAY FREE TRIAL Free trial 7 days

Access and services

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Parking Indigo Opéra Bastille 1 avenue Daumesnil 75012 Paris

Book your spot at a reduced price
super alt text
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Created a few months after Don Carlos (1867), Thomas’s Hamlet, like Verdi’s work, adopts the conventions of “grand opera”, a predominant genre in the 19th century operatic world. With its large orchestra and chorus, ballets and five-act structure, Thomas’s play nevertheless stands apart from the French aesthetic. Both from a dramaturgical point of view – individual drama is preferred to that of historical events – and musically – fluid transitionsbetween arias and recitatives.

BUY THE PROGRAM

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Parking Indigo Opéra Bastille 1 avenue Daumesnil 75012 Paris

Book your spot at a reduced price
super alt text
super alt text
super alt text
super alt text
super alt text
super alt text

Created a few months after Don Carlos (1867), Thomas’s Hamlet, like Verdi’s work, adopts the conventions of “grand opera”, a predominant genre in the 19th century operatic world. With its large orchestra and chorus, ballets and five-act structure, Thomas’s play nevertheless stands apart from the French aesthetic. Both from a dramaturgical point of view – individual drama is preferred to that of historical events – and musically – fluid transitionsbetween arias and recitatives.

BUY THE PROGRAM

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

Partners

  • Grand Patron of the Season

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Jean-Pierre Delagarde / OnP

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