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© Aurore Dal Mas
Born in Lausanne, Christian Longchamp studied Art History and Philosophy in Geneva and Paris before working as an exhibition curator. As a programmer at the Louvre Auditorium, he developed numerous thematic programmes. From 2007 to 2013, he served as Artistic Deputy to Peter de Caluwe at La Monnaie in Brussels. At the Paris Opera, he was advisor to Stéphane Lissner until September 2014, then Director of Dramaturgy, Publishing, and Communication until September 2015. In 2016, he became Artistic Advisor to Eva Kleinitz and dramaturge at the Opéra National du Rhin.
As a creation dramaturge, he has collaborated with Krzysztof Warlikowski and Romeo Castellucci (Stabat Mater in Geneva and Rome, Pelléas et Mélisande in Milan, and Saint Francis of Assisi in Salzburg in recent months). He has just published Les vivants hantent les fantômes. Fragments d’Europe with Flammarion. He is the founder and editorial director of the European digital journal Dialogos, dedicated to literature, ideas, and music (launch: 1 November 2026).
At the Paris Opera: Moses and Aaron (2015); The Damnation of Faust (2015); Bluebeard’s Castle / La Voix humaine (2015); Don Carlos (2017); Don Carlo (2019); Lady Macbeth of Mtsensk (2019); Il Primo Omicidio (2019); Hamlet (2023).
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