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DON CARLOS

Giuseppe Verdi

Opéra Bastille - from 10 October to 11 November 2017

New show 4h40 with 2 intervals

Opening night : 10 October 2017

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    Disponibilités limitées sur les représentations du 10 au 28 octobre

    Don Carlos

    Opera in five acts

    Music
    Giuseppe Verdi
    Libretto
    Joseph Méry
    Camille du Locle

    After Friedrich Schiller , Don Carlos, Infant von Spanien

    Conductor
    Philippe Jordan
    Director
    Krzysztof Warlikowski
    Philippe II
    Ildar Abdrazakov
    Don Carlos
    Jonas Kaufmann

    10 > 28 oct.


    Pavel Černoch

    31 oct. > 11 nov.

    Rodrigue
    Ludovic Tézier
    Le grand inquisiteur
    Dmitry Belosselskiy
    Élisabeth de Valois
    Sonya Yoncheva

    10 > 28 oct.


    Hibla Gerzmava

    31 oct. > 11 nov.

    La princesse Eboli
    Elīna Garanča

    10 > 28 oct.


    Ekaterina Gubanova

    31 oct. > 11 nov.

    Thibault
    Eve-Maud Hubeaux
    Députés flamands
    Tiago Matos
    Michal Partyka
    Mikhail Timoshenko
    Tomasz Kumiega
    Andrei Filonczyk
    Daniel Giulianini
    Une voix d'en haut
    Silga Tīruma
    Le comte de Lerme
    Julien Dran
    François Piolino

    31 Oct.

    Un héraut royal
    Hyun-Jong Roh
    Le moine
    Krzysztof Baczyk
    Set design
    Małgorzata Szczęśniak
    Lighting design
    Felice Ross
    Video
    Denis Guéguin
    Choreography
    Claude Bardouil
    Dramaturgy
    Christian Longchamp
    Chorus master
    José Luis Basso

    • Exclusive timepiece of the Paris Opera

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    • With the support of AROP

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    • With the support of the Cercle Berlioz

    • Sponsor of the Paris Opera's audiovisual broadcasts

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    • With the exceptional support of Mr. Étienne Binant, Maître Bernard, Duc CBE and Mrs Domitille Duc, Mr. Sébastien Grandin

    Podcast

    About

    If there exists an opera that defies boundaries at every level, be they dramatic or dramaturgical, it is certainly Verdi’s Don Carlos, a work by an Italian composer created in French, and in which the climate of war with Spain and the melancholy of human beings draw our attention to the fate to Flanders. Politics, religion, history and psychoanalysis are all entwined here, increasingly exacerbating the fears and taboos between the protagonists. Krzysztof Warlikowski strips down a tragedy haunted by ghosts, and places the intimate at the heart of an imaginary fresco truer than history itself. Along with Philippe Jordan, he reveals to the public the very first version of this great five-act opera: the version modified by Verdi himself for the work’s first performance in 1867. Echoing this historic version, the Paris Opera will be scheduling the five-act version of Don Carlo in Italian in 2019.

    Gallery About the work

    Media and technical partners

    • Coproducer

    • Coproducer and broadcaster

    • TV broadcaster

    • Distributor cinema

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    • Radio broadcaster

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