© P. Matsas
Born in Geneva, Ève-Maud Hubeaux first studied piano at the Lausanne Conservatoire, before beginning her vocal studies. Her international career was launched after her debut at the Opéra national du Rhin’s studio opera in Strasbourg. She won many competition awards, including the International Belvedere Competition (2013) and the 5th Renata Tebaldi International Competition.
Her recent highlights include Amneris (Aida) at the Savonlinna Festival, Carmen‘s title-role at La Monnaie, Brussels and the Deutsche Oper Berlin, Princess Eboli (Don Carlos) at Staatsoper Wien, Judith (Le Château de Barbe-Bleue) at Opéra national de Lyon, Brangäne (Tristan und Isolde) at Opéra national de Lyon and La Monnaie, Brussels, Baba the Turk (The Rake's Progress) in Basel, Scozzone (Saint-Saëns’s Ascanio) in concert at Opera de Genève, the roles of Haendel Nerone (Agrippina) and Cornelia (Giulio Cesare in Egitto) as well as the title-role in Lully’s Isis, still under Christophe Rousset, Isolier (Le Comte Ory) at Opéra de Toulon and Léonor de Guzman (La Favorite) at Gran Teatre del Liceu Barcelona.
She sang Amneris at the Salzburg Festival in 2022. For the 2022-23 season, she is singing Verdi’s Requiem in Baden-Baden and Dortmund, and will return in the Vienna Staatsoper de as Carmen and Mother Marie (Dialogues des carmélites) and the Staatsoper Unter den Linden as Princess Eboli.
At the Paris Opera: Der Rosenkavalier (Annina), 2016 ; Don Carlos (Thibault), 2017 ; Wozzeck (Margret), 2017 ; Don Carlo (Thibault), 2019 ; Madama Butterfly (Suzuki), 2019 ; Le Soulier de satin (Dona Prouhèze), 2021
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