Marion Mirande
Articles by Marion Mirande
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A Russian revolution
Interview with Vladimir Jurowski on the subject of Boris Godunov — By Marion Mirande
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Breaking the Rules
Interview with the director of Parsifal — By Marion Mirande and Simon Hatab
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A tale of madness, love and death
Interview with Christian Longchamp, dramaturg — By Marion Mirande
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The Barber of Seville under the magnifying glass
A probing portfolio of set photos — By Catherine Plichon and Marion Mirande
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Theme - Only the Sound Remains
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Conducting Janáček, Stravinsky and Salonen
A conversation with Esa-Pekka Salonen — By Marion Mirande
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Dominique Pitoiset looks back at Falstaff
Interview with the stage director — By Marion Mirande
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Series - Becoming...
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Don Carlos in its original version
An interview with Philippe Jordan — By Marion Mirande, Simon Hatab and Felipe Sanguinetti
Theme - Don Carlos
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Theme - 3e Scène
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Series - Becoming...
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Ravel – From movement makes music
An interview with conductor Maxime Pascal — By Marion Mirande
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Their Carmen
Interview with Roberto Alagna and Clémentine Margaine — By Marion Mirande and Simon Hatab
Theme - Carmen
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Theme - Carmen
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Theme - Trompe-la-Mort
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Theme - Philippe Jordan
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A tenor in the air of the times
Interview with Stanislas de Barbeyrac — By Marion Mirande
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Theme - Philippe Jordan
Subjects by Marion Mirande
- 3e Scene
- Balanchine / Teshigawara / Bausch
- Ballet
- Becoming...
- Bluebeard's Castle / La Voix Humaine
- Boris Godounov
- Carmen
- Concerts and recitals
- De la maison des morts
- Don Carlos
- Eugène Onéguine
- Falstaff
- Il Barbiere di Siviglia
- Jordan
- La Veuve joyeuse
- Lohengrin
- Only the Sound Remains
- Opera
- Parsifal
- Pelléas et Mélisande
- Rigoletto
- Robbins / Balanchine / Cherkaoui, Jalet
- Trompe-la-Mort
- Wozzeck
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