Charles Duprat / OnP

Charles Duprat / OnP

Opera

La Traviata

Giuseppe Verdi

Opéra Bastille

from 21 January to 25 February 2024

3h05 with 2 intervals

La Traviata

Opéra Bastille - from 21 January to 25 February 2024

Synopsis

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Who is La Traviata? For Australian director Simon Stone, whose talent for updating the classics is well-known, Violetta is not the demi-mondaine who sells her body, as in Alexandre Dumas fils La Dame aux camélias, the inspiration for Verdi's opera. She is a social network star who markets her image and her digital advice with posts, selfies and stories. Alas! This hyper-connected world does not prevent the beauty, as in the 19th century, from having to sacrifice her love for Alfredo on the altar of social conventions. This contemporary reading is in keeping with Verdi's intentions. Whilst composing a feverish and virtuoso score, the composer criticises the brutality of a society of appearances, a machine that crushes individualities. Especially in the case of women aspiring to be free: isn't “Sempre libera”, Violetta's most famous aria, the banner of this opera?

Duration : 3h05 with 2 intervals

Language : Italian

Surtitle : French / English

Show acts and characters

CHARACTERS

Violetta Valery: A Parisian demimondaine
Alfredo Germont: A young bourgeois from a provincial family, Violetta’s lover
Giorgio Germont: Alfredo’s father
Flora Bervoix: Violetta’s friend
Annina: Violetta’s maid
Le baron Douphol: Violetta’s protector
Le marquis d’Obigny: Flora’s lover
Gaston de Letorières: Alfredo’s friend
Doctor Grenv: Violetta’s doctor  

Act 1

Violetta Valery, a demimondaine, is giving a large reception. A friend, Gaston, introduces the young Alfredo Germont who is secretly in love with her and has come each day for news during her recent illness. Violetta ironically remarks to her protector, Baron Douphol, that he shows less interest in her than does this unknown young man. Alfredo proposes a toast. In an adjoining room dancing resumes, but Violetta, suddenly feeling faint, asks that she be left alone.

Alfredo nevertheless remains with her. He declares his love, but Violetta, though touched, does not seem to take him seriously. However, she gives him a flower and asks him to bring it back to her the next day when it has faded. The guests take their leave and, alone, Violetta admits to herself that she is troubled by this young man who has awakened within her dreams that have lain buried since childhood. But she pulls herself together: her destiny is not to live for the love of a single man and she must remain free to follow the paths of pleasure.  

Act 2

First scene
Three months have passed. Violetta has yielded to Alfredo’s love and has taken refuge with him in a country house. Alfredo sings of his joy and happiness. However, he learns from Annina, Violetta’s maid, that her mistress must sell her assets to meet their material needs. He decides to go back to Paris to find the necessary money. Violetta is expecting her business advisor, but it is Giorgio Germont, Alfredo’s father, who makes an appearance. He speaks to Violetta coldly, convinced that the young woman is only interested in extracting money from his son.

His manner softens when he discovers the truth, but he still asks Violetta to renounce Alfredo. She refuses. Germont tells her about his daughter who is unable to marry because of her brother’s scandalous liaison. Understanding that her past will always dog her, Violetta yields, with death in her heart: she will leave Alfredo and take up her former life again. Germont takes his leave, moved by the nobility of the woman he has compelled to sacrifice herself. She prepares to write a farewell letter to her lover. She is interrupted by Alfredo’s return and leaves after bidding farewell to the young man who cannot understand.

He only realises upon opening the letter which Violetta has brought to him a few moments later. Germont returns and, not mentioning his visit to Violetta, tries to console his despairing son and praises the virtues of family life. But Alfredo’s only thought is to find Violetta again.


Second scene
The party is in full swing at the house of Flora Bervoix, a friend of Violetta’s. Alfredo appears. Flora is astonished to see him alone, but then Violetta makes her entrance, accompanied by Baron Douphol. Alfredo’s only desire is vengeance. He plays cards with the baron and wins a considerable sum.

Violetta is torn between the desire to explain and the promise she has made to Germont. Finally, she pretends that she loves Douphol. Mad with rage, Alfredo throws the money in Violetta’s face in front of all the guests, thus paying her for his three months of love. Violetta faints and the baron provokes Alfredo to a duel. Germont, who has followed his son, reproaches him for insulting a woman in such a way.

Act 3

Violetta is seriously ill and abandoned by everybody. Only the faithful Annina remains at her side. The doctor comes to visit her as he does every morning and confides to Annina that Violetta has only a few hours to live. Outside, the streets of Paris echo to the sounds of the carnival. Germont has written to the young woman to tell her that Alfredo wounded the baron in the duel. He was obliged to go away, but his father has told him the truth and he is on his way back. Violetta awaits him desperately, even though she thinks it is now too late.

Alfredo finally arrives. He asks Violetta to forgive him. They will leave Paris again and she will recover her health. Germont also comes to visit the young woman, whom he now considers as his daughter, but she has no strength left. One last burst of vitality seems to bring her back to life before she collapses, dead.  

Artists

Opera in three acts (1853)

After Alexandre Dumas Fils, La Dame aux camélias

Creative team

Cast

Paris Opera Orchestra and Chorus

A coproduction with the Wiener Staatsoper, Vienna

Media

[TRAILER] LA TRAVIATA by Giuseppe Verdi
[TRAILER] LA TRAVIATA by Giuseppe Verdi
  • Draw-me La Traviata

    Draw-me La Traviata

    Watch the video

  • Imaginarie La Traviata

    Imaginarie La Traviata

    Watch the video

  • Opera word for word - La Traviata

    Opera word for word - La Traviata

    Listen the podcast

Draw-me La Traviata

Watch the video

Understand the plot in 1 minute

1:10 min

Draw-me La Traviata

By Octave

Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms. This is not the least radical aspect of his “Traviata”, which implacably strips bare the violence of a society that promotes worldly pleasures only to sacrifice an innocent woman on the altar of bourgeois morality.

Imaginarie La Traviata

Watch the video

A repertoire work narrated in a visual poem born of popular culture

1:01 min

Imaginarie La Traviata

By Marc de Pierrefeu

La Traviata by Giuseppe Verdi, from november 25th to december 23th 2020 at the Opera Bastille  

Opera word for word - La Traviata

Listen the podcast

Literary podcast evoking an opera and a stage director's vision

08 min

Opera word for word - La Traviata

By Benoit Maubrey, Marion Mirande

Giuseppe Verdi's La Traviata in Simon Stone's production, in the words of Lolita Pille, Francis Scott Fitzgerald, Louis Aragon, Joy Sorman  

Copyright :

  • Lolita Pille, Hell, © Editions Grasset & Fasquelle, 2002
  • Francis Scott Fitzgerald, Les heureux et les damnés, traduction de l’américain par Louise Servicen, © Editions Gallimard, 1964
  • Louis Aragon, Aurélien, © Editions Gallimard, 1944
  • Joy Sorman, Sciences de la vie, © Seuil, 2017

  • [EXTRAIT] LA TRAVIATA by Giuseppe Verdi "Addio, del passato" (Nadine Sierra)
  • [EXTRAIT] LA TRAVIATA by Giuseppe Verdi (Nadine Sierra, René Barbera, Marine Chagnon)
  • [EXTRAIT] LA TRAVIATA by Giuseppe Verdi (Nadine Sierra & Ludovic Tézier)
  • [EXTRAIT] LA TRAVIATA by Giuseppe Verdi (Nadine Sierra & René Barbera)
  • La Traviata (Saison 23/24) - Acte III - Violettai Addio Del Passato

  • La Traviata (Saison 23/24) - Acte II - Giorgio - Violetta Pura Si Come

  • La Traviata (Saison 23/24) - Acte III - Violetta - Alfredo Parigi O Cara

  • La Traviata (Saison 23/24) - Acte I - Alfredo - Violetta Un Di Felice Eterea

  • La Traviata (Saison 23/24) - Prélude

  • La Traviata (Saison 23/24) - Acte II - Giorgio - Violetta Dite A La Giovine Piangi

  • La Traviata (Saison 23/24) - Acte II - Flora - Marchese - Dottore Avrem Lieta

  • La Traviata (Saison 23/24) - Acte II - Tutti Sans Germont Scène XII

Press

  • In tune with the times, Simon Stone's new “Traviata” refreshes the myth by riding the trend of social media.

    Télérama, 2019
  • Costumes, lights and videos magnify Simon Stone's stage direction.

    Resmusica, 2019
  • Simon Stone’s proposal is one of great loyalty to La Traviata, which he reinstates in our daily life as Verdi had done when creating the work in 1853.

    Resmusica, 2019
  • A Traviata in the light of social networks (...), such is Simon Stone's bold but successful move.

    Artistik Rezo, 2019
  • A top-class cast in a spectacular production!

    Jean-Christophe Mary / France Net Infos, 2023
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Watch online the recording of La Traviata (season 19/20) on POP


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Access and services

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

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Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

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Imagined as benchmark, richly illustrated booklets, the programmes can be bought online, at the box offices, in our shops, and in the theatres hall on the evening of the performance.

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

  • Parking

    You can park your car at the Q-Park Opéra Bastille. It is located at 34 rue de Lyon, 75012 Paris. 

    BOOK YOUR PARKING PLACE.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

Book your parking spot
super alt text
super alt text
super alt text
super alt text

Imagined as benchmark, richly illustrated booklets, the programmes can be bought online, at the box offices, in our shops, and in the theatres hall on the evening of the performance.

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

  • Parking

    You can park your car at the Q-Park Opéra Bastille. It is located at 34 rue de Lyon, 75012 Paris. 

    BOOK YOUR PARKING PLACE.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

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La Traviata

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