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  • Lear

    Opera

    Aribert Reimann

    Palais Garnier - from 21 November to 07 December 2019

    Elisa Haberer / OnP

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Lear

Palais Garnier - from 21 November to 07 December 2019

Book Subscribe Option booking This production is no longer available for subscription

Lear

Opera Aribert Reimann

Book Subscribe Option booking This production is no longer available for subscription

Personal offers for this show

Palais Garnier - from 21 November to 07 December 2019

2h50 with 1 interval

Surtitle : French / English

  • Opening night : 21 November 2019

About

In few words:

Numerous composers have sought to come to grips with this monument of Shakespearian tragedy. Keen to perform the title role of King Lear, the baritone Dietrich Fischer-Dieskau turned to Aribert Reimann who initially declined the proposition. However, in 1975, when Munich’s Bayerische Staatsoper approached him, he finally agreed to take up the challenge of this impossible opera. From the sombre orchestral timbres and the highly nuanced vocal lines emerge all the tortuous dissimulations and violence of human relationships. No illusions remain, however, in Calixto Bieito’s cathartic production in which each of the characters is stripped bare: collective hysteria gives way to an old man’s solitude. Destroyed, like a new-born babe, he weeps to find “that we are come to this great stage of fools.”

  • Opening
  • First part 80 mn
  • Intermission 30 mn
  • Second part 60 mn
  • End

Performances

Available in audiodescription

Advantages

Full

Available in audiodescription

Advantages

Full

Whether you’re a member of Arop or not, the friends of the Opera can reserve seats for you on all performance dates, including those not yet open for sale and those announced as sold out.

Audio clips

Lear - Acte 1

Lear - Acte 1

Lear - Acte 2

Lear - Acte 2

Media coverage

  • Une leçon de théâtre comme l'opéra en offre rarement

    Le Point, 24 mai 2016, André Tubeuf
  • L'autorité, la sensibilité et l'engagement total avec lesquels Bo Skovhus s'empare de ce rôle écrasant forcent l'admiration.

    Télérama, 26 mai 2016, Sophie Bourdais
  • Au sommet, l’incroyable performance de Bo Skovhus dans le rôle du roi Lear. L’athlétique baryton danois campe un Titan déchu, dont on ne sait ce qu’il faut admirer le plus de l’incarnation scénique ou vocale.

    Le Monde, 27 mai 2016, Marie-Aude Roux

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About the work

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