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Opera

Un ballo in maschera

by Giuseppe Verdi

Opéra Bastille

from 27 January to 26 February 2026

Opera

Tosca

Giacomo Puccini

Opéra Bastille

from 12 March to 18 April 2026

Ballet
New

Impressions

Morgann Runacre-Temple, Jessica‎ Wright / Marcos Morau

Palais Garnier

from 11 to 28 March 2026

Don’t miss

See more

Opera

Nixon in China

John Adams

Opéra Bastille
from 24 February to 20 March 2026
Book

Ballet

Le Parc

Angelin Preljocaj

Palais Garnier
from 03 to 25 February 2026
Read more

Opera

Eugene Onegin

Piotr Ilyich Tchaikovsky

Palais Garnier
from 26 January to 27 February 2026
Read more

Life at the Opera

  • In the spotlight - Arena in rehearsal
    Video

    In the spotlight - Arena in rehearsal

  • Love Today - Le Parc in rehearsal with Angelin Preljocaj
    Video

    Love Today - Le Parc in rehearsal with Angelin Preljocaj

  • 5 questions about John Adams
    aria

    5 questions about John Adams

  • 5 questions to Speranza Scappucci
    Video

    5 questions to Speranza Scappucci

  • Nixon in China: the true/false story
    aria

    Nixon in China: the true/false story

  • Un ballo in maschera: Licence to kill?
    Video

    Un ballo in maschera: Licence to kill?

  • 5 questions about: Carmen
    aria

    5 questions about: Carmen

  • Kids react to Opera costume workshops
    Video

    Kids react to Opera costume workshops

  • Toï toï toï: Eugene Onegin
    Video

    Toï toï toï: Eugene Onegin

  • Draw-me Carmen
    Video

    Draw-me Carmen

In the spotlight - Arena in rehearsal

Watch the video

Interview with Ida Viikinkoski

4:22 min

In the spotlight - Arena in rehearsal

By Antony Desvaux

For the Impressions show scheduled at the Palais Garnier, Jessica Wright and Morgann Runacre-Temple are creating Arena for the Paris Opera Ballet. 

Dancer Ida Viikinkoski discusses her work in the studio with the two British choreographers, particularly the use of live video in Arena. She also details the different methods used by Jessica Wright and Morgann Runacre-Temple to create and develop their choreographic material. 

Finally, she explains the meaning of the piece and its title: the idea of an arena where everyone, like in today's society, is competing with others to take center stage and dominate the screens.

Love Today - Le Parc in rehearsal with Angelin Preljocaj

Watch the video

4:31 min

Love Today - Le Parc in rehearsal with Angelin Preljocaj

By Antony Desvaux

On the occasion of the revival of Le Parc at the Palais Garnier, Angelin Preljocaj looks back on his ballet, which premiered at the Paris Opera in 1994. The choreographer discusses how changing relationships at the time reshuffled the deck of seduction, particularly due to AIDS. Taking 17th-century classics such as La Princesse de Clèves as his starting point, he imagined a ballet that blends classical codes with modern movement, mirroring the music of Le Parc, which combines Mozart with an electronic score by Goran Vejvoda. Working in the studio with Étoile dancers Hannah O'Neill and Germain Louvet, Angelin Preljocaj recounts how he came up with the idea for the pas de deux of the kiss, which has since become iconic.  

© Deborah O’Grady

5 questions about John Adams

Discover

01 min

5 questions about John Adams

By aria

Have you ever heard of American composer John Adams? He’s one of the most-performed contemporary music composers. Although his style is usually classified ‘minimalist’, Adams thinks big. Let’s have a look.  

5 questions to Speranza Scappucci

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2:14 min

5 questions to Speranza Scappucci

By Opéra national de Paris

© Elena Bauer / OnP

Nixon in China: the true/false story

Discover

01 min

Nixon in China: the true/false story

By aria

A Sino-American meeting right in the middle of the Cold War… Will you spot the wrong facts from the truth in this John Adams’ opera Nixon in China quiz? It’s go time!  

Un ballo in maschera: Licence to kill?

Watch the video

2:04 min

Un ballo in maschera: Licence to kill?

By Théo Schornstein, Valentine Boidron

Did you know that Verdi's opera Un ballo in maschera was inspired by a regicide? In 1792, King Gustav III of Sweden was assassinated during a masked ball in Stockholm. An enlightened monarch, he fell victim to a plot by nobles who were hostile to his liberal reforms and refused to give up certain privileges.

When Verdi decided to use this plot for a commission from the Teatro San Carlo in Naples, the Neapolitan censors struck. In the mid-19th century, political instability was rife. Ferdinand II, King of Naples, had been the victim of an assassination attempt.

Discover all the secrets of Giuseppe Verdi's Un ballo in maschera in this episode of À l'affiche, new format!

© Emilie Brouchon - OnP

5 questions about: Carmen

Discover

01 min

5 questions about: Carmen

By aria

With Carmen, in 1845, Mérimée painted the portrait of a rebellious and cruel gypsy, inspired by the profiles of the women he had encountered during his many trips to Spain. While the character in the opera is somewhat toned‑down, she nonetheless remains passionate and profoundly Latin. Extremely popular with 19th century audiences, Carmen was also a figure fondly embraced by artists and depicted from a variety of different angles: the pernicious femme fatale, the fortune‑teller, the free spirited, emancipated woman…

Kids react to Opera costume workshops

Watch the video

2:37 min

Kids react to Opera costume workshops

By Opéra national de Paris

On the occasion of Giuseppe Verdi's opera Un Ballo in Maschera, Yris, Chloé, Esmeralda and Mano embark on a colourful adventure in the heart of the costume workshops at the Opéra Bastille. Among glittering fabrics, mysterious sketches and expert hands, they discover how the costumes that bring the stage to life are created. 

Toï toï toï: Eugene Onegin

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Meet with Director Ralph Fiennes and Conductor Semyon Bychkov

1:30:31 min

Toï toï toï: Eugene Onegin

By Opéra national de Paris

Draw-me Carmen

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Understand the plot in 1 minute

1:09 min

Draw-me Carmen

By Octave

“Carmen will never surrender, born free, free will she die”cries Bizet’s heroine to Don José at the end of the opera. This irrepressible freedom, coupled with a need to live ever more intensely on a knife-edge, is present in Calixto Bieito’s production as in no other.

Of Mérimée’s character, Bieito’s Carmen retains her thoroughly Iberian contours and the burning temperament of a woman who lives by small-time trafficking. However, the rebel bird is essentially a creature of our own times. A brazen and indomitable seductress and a product of social and masculine brutality, she lives life in the fast lane, avid for existence.

News

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  • Learn more

    11 février 2026

    New

    Carmen: cast change

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    06 janvier 2026

    Appointment of Semyon Bychkov as Music Director of the Opéra national de Paris

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    14 janvier 2026

    Siegfried: cast change

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    31 décembre 2025

    Tribute to Robert Massard

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    22 décembre 2025

    The Paris Opera unveils its Trivial Pursuit

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    21 décembre 2025

    Message to the audience

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    11 décembre 2025

    Siegfried: cast change

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    02 décembre 2025

    Giving Tuesday: The Paris Opera for all

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    01 décembre 2025

    Eugene Onegin: cast change

  • Learn more

    21 novembre 2025

    The Paris Opera and WEBTOON launch the new webcomic series Secret d’une Étoile

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