Agathe Poupeney / OnP

Opera

Simon Boccanegra

Giuseppe Verdi

Opéra Bastille

from 12 March to 03 April 2024

3h00 with 1 interval

Simon Boccanegra

Opéra Bastille - from 12 March to 03 April 2024

Synopsis

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Although not the best-known of Verdi's operas, Simon Boccanegra was one of his favourites, to the extent that he extensively reworked it 24 years after its Venice premiere in 1857.

What a destiny Simon Boccanegra enjoyed! This former privateer, elected doge of Genoa, wishes to re-establish peace within his Council, divided between patricians and plebeians, and peace with Venice, the eternal rival. But this humanist is also consumed by the loss of his daughter, kidnapped as a child.

In this intimate political drama, the composer no doubt found echoes of his own life, having contributed to Italian unification and lost his first two children.

Musically speaking, Verdi created a character of great psychological depth. A complexity emphasised in Calixto Bieito's production, which plunges us into Simon's thoughts, not forgetting an evocation of the sea - the only place where the seaman was truly happy – in the form of the hull of a huge ship.

Duration : 3h00 with 1 interval

Language : Italian

Surtitle : French / English

Show acts and characters

CHARACTERS

Simon Boccanegra: Corsair in the service of the Republic of Genoa, elected first Doge of Genova
Jacopo Fiesco: Genoese noble in exile, also known as Andrea
Maria Boccanegra: Simon Boccanegra’s daughter, brought up under the name of Amelia Grimaldi
Gabriele Adorno: Genoese gentleman, in love with Amelia
Paolo Albiani: Courtier and Simon’s right-hand man
Pietro: Man of the people, Paolo’s accomplice

First part

Genoa in the middle of the XIVth century

Prologue
Patricians and plebeians are locked in a power struggle. Paolo and Pietro, leaders of the people’s party, hope to achieve victory by having Simon Boccanegra elected Doge of Genoa. Simon, a former corsair in the service of the Republic, hopes that his election will overcome the opposition of the patrician Jacopo Fiesco to his marriage with his daughter Maria. Simon Boccanegra has seduced Maria and a child has been born of their union. Since then the patrician has kept his daughter locked up in his palace where she has died of grief.

When Fiesco leaves his palace and chances upon Simon, he first demands his daughter’s child. Simon is forced to admit that the child has been abducted. Fiesco is distraught and lets him enter his palace where he discovers Maria’s coffin. Overwhelmed by the cruelty of fate, Simon leaves the palace. Outside the people acclaim the new Doge.

Act 1: 25 years later
In the house of the Grimaldis, patricians exiled for having plotted the downfall of the Doge, Amelia Grimaldi awaits her beloved Gabriele Adorno. Gabriele, having learnt that the Doge wishes to marry Amelia to his friend Paolo Albiani, asks the young girl’s tutor, Andrea, to bless their union. Andrea is none other than Fiesco, who has been hiding for years under a false identity. He is unaware that Amelia is in reality his granddaughter Maria, abducted as a child and adopted by the Grimaldi family.

Simon Boccanegra comes in person to ask for Amelia’s hand for Paolo Albiani and announces to the young girl that the Grimaldis are soon to be restored to favour. Amelia confides that she is not a Grimaldi by birth and shows him a medallion portraying the mother she has never known. The Doge recognises the woman he once loved and realises that Amelia is his daughter. He can no longer impose on her the marriage with Paolo, who in his disappointment swears to be avenged. During peace negotiations between Genoa and Venice, the crowd brings Gabriele and Andrea/Fiesco before the Doge. They announce that Amelia has been abducted. Gabriele accuses Boccanegra of being behind the abduction.

He raises his sword against him, but Amelia reappears, having succeeded in escaping from her abductors. Patricians and plebeians accuse each other of the crime. Boccanegra imposes silence on them all and forces Paolo to curse the culprit. Andrea and Gabriele are taken off to prison.

Second part

Act 2:
Paolo, who organised Amelia’s abduction, has cursed himself. Driven by hatred, he pours poison into the Doge’s glass. He frees Andrea/Fiesco and Gabriele and asks them to kill Boccanegra. Gabriele alone agrees to the plot, believing Paolo’s story that Amelia is the Doge’s mistress.

The Doge, weary of the negotiations, drinks the glass containing the poison and becomes drowsy. Gabriele comes out of his hiding place to stab him. But Amelia again intervenes and informs him that she is Boccanegra’s daughter. When a riot fomented by the patricians breaks out, Gabriele fights for the Doge and defends the palace against the assailants.

Act 3:
Genoa celebrates Boccanegra’s victory over the rebels. The Doge pardons most of the plotters. Only Paolo is executed. On his way to the scaffold he confides in Andrea that the Doge has been poisoned and is dying. Fiesco, motivated by vengeance, presents himself to Boccanegra under his real name, but the Doge takes him to Amelia and reveals that she is his granddaughter.

The two men are reconciled but the poison starts to take hold. Boccanegra blesses the marriage of Amelia and Gabriele and, before dying, names the young man as his successor. Jacopo Fiesco announces the death of Simon Boccanegra to the people.

Artists

Opera in three acts (1857)

After Antonio Garcia Guttiérrez

Creative team

Cast

Paris Opera Orchestra and Chorus
A coproduction with the Deutsche Oper, Berlin

Media

[TRAILER] SIMON BOCCANEGRA by Giuseppe Verdi
[TRAILER] SIMON BOCCANEGRA by Giuseppe Verdi
  • Draw-me Simon Boccanegra

    Draw-me Simon Boccanegra

    Watch the video

  • Simon Boccanegra’s ship

    Simon Boccanegra’s ship

    See the slideshow

  • Baritone Ludovic Tézier about Simon Boccanegra

    Baritone Ludovic Tézier about Simon Boccanegra

    Watch the video

  • The spirit of Boccanegra sails onwards

    The spirit of Boccanegra sails onwards

    Read the article

Draw-me Simon Boccanegra

Watch the video

Understand the plot in 1 minute

1:53 min

Draw-me Simon Boccanegra

By Matthieu Pajot

© Elena Bauer / OnP

See the slideshow

An interview with José Sciuto, Deputy Artistic Director of the Workshops

Simon Boccanegra’s ship

By Cyril Pesenti

“The sea is an essential element in the opera Simon Boccanegra. In Calixto Bieito’s production, that sea has retreated, leaving a huge ship's hull washed up on the stage. The construction of this set was the fruit of a complex and meticulous process, involving almost all the craftspeople in the various workshops—from the research and design office to the workshops specialising in ironwork, carpentry, composite materials, painting, and sculpture, etc. This was an extremely “technological” set: To build it, a three-dimensional scan of a scale model of the ship, created by the sculpture workshop, allowed the design office to create a blueprint for the surface of the hull and its inner structure. Using these components as a starting point, a large number of metallic pieces were laser-cut and then assembled. Some thirty moulds were prepared to create the metal plates for the hull. These plates were also designed in a way that they could be used as a projection surface for the videos that director Calixto Bieito is so fond of.”

Baritone Ludovic Tézier about Simon Boccanegra

Watch the video

4:58 min

Baritone Ludovic Tézier about Simon Boccanegra

By Marion Mirande

The truth of Verdian feeling shines out from Simon Boccanegra. His love of coastal landscapes, his faith in social justice and his loss of wife and child are all biographical elements towards which this opera converges.

Ludovic Tézier performs the title role, sometimes gentle, sometimes harsh, bringing his immense experience as a baritone to one of Verdi's finest and most moving scores.  

© Elena Bauer / OnP

The spirit of Boccanegra sails onwards

Read the article

Interview with Calixto Bieito

04 min

The spirit of Boccanegra sails onwards

By Marion Mirande, Simon Hatab

Of great musical finesse, Simon Boccanegra is an opera that takes us on a voyage to the world of the Genoese doge - a politician and former corsair, redeemed by his relationship with his daughter. After his striking production of Aribert Reimann’s Lear and Carmen by Georges Bizet, Calixto Bieito returns to the Paris Opera to take up this neglected work by Verdi, offering us a reading as sensitive as it is enlightening.   

Simon Boccanegra is based on the eponymous work by the Spanish Romantic playwright, Antonio García Gutiérrez. What, in Verdi, remains of his drama?

The romantic aesthetic fascinated Verdi, that of Schiller particularly, and of course, that of Spain. In the subjects tackled by Spanish Romanticism, he found echoes of situations familiar to him: a father love for his child; confrontations with death; hatred and family feuds ... Themes that resonate strongly with Spanish history, past and present. For me, the most emblematic work of Spanish identity belongs to the Romantic period: the painting by Francisco Goya, The Second of May 1808 in Madrid. In it I perceive the expression of the Latin spirit, explosive and rebellious. One might think that the extreme behaviour portrayed in theatre or in the arts is the stuff of mythology and is exaggerated. But it is not. This impetuosity is characteristic of the Spanish, notably of people one meets in the villages, as is also the case in Italian culture, where emotions are felt very intensely, even beyond reason.   

You once qualified this opera as a strange work... In what way is it strange?

Simon Boccanegra differs noticeably from Verdi’s other operas, such as Il Trovatore or La Traviata. The music is less well-known ... Verdi concentrated here on the characters and their personalities. He sought to underline their depth of feeling. This makes it a very complex opera from a psychological point of view, posing numerous enigmas concerning Mankind and human nature. Verdi stripped away the varnish of appearances in order to question the very essence of his characters and reveal their intimate natures. This is also true of the treatment of the father-daughter relationship which also appears in several of his other works. In Simon Boccanegra, however, it is more thoughtful and profound.   

How do you envisage the interactions between the private and public spheres that punctuate the work from beginning to end?

Simon’s peace-making policy has its origins in his love for his daughter, but also in her loss which prompts him to seek a lost harmony. A quest that will unfortunately prove sterile... The character’s sadness echoes today's world in which disillusionment with humanity is every day palpable. As well as transforming Gutiérrez’s text, Arrigo Boito’s inclusion in the libretto of Petrarch’s letter calling for reconciliation confers on Simon a humanist dimension. His exhortation for peace has not been common in the mouths of politicians, either in Verdi’s day or in our own.

Simon Boccanegra is a work in which the sea is omnipresent. Have you tried to give the maritime image a more up-to-date, political resonance?

For Simon, the sea is synonymous with freedom. The immigrant crisis reminds us daily that the sea is also murderous. However, that wasn’t a theme I wished to take up. It didn’t seem really opportune. Above all, I tried to explore what there is within Simon, the memories he keeps locked inside him, the dreams, the nightmares. Therefore I had to imagine a mental space, a refuge, that would allow him to escape from his grief to the obscure zones of his soul and to find once more the feeling of liberty that was once afforded him by the sea.    

  • [EXTRAIT] SIMON BOCCANEGRA by Giuseppe Verdi (Nicole Car, Ludovic Tézier - "Mi baciò, mi benedisse")
  • [EXTRAIT] SIMON BOCCANEGRA by Giuseppe Verdi (Nicole Car - "Come in quest'ora bruna")
  • [EXTRAIT] SIMON BOCCANEGRA by Giuseppe Verdi (Charles Castronovo, Nicole Car, Ludovic Tézier)
  • [EXTRAIT] SIMON BOCCANEGRA by Giuseppe Verdi (Ludovic Tézier - "Gran dio, li benedeci")
  • Simon Boccanegra (saison 23/24) Act II C. Castronovo, N. Car, L. Tézier - Perdon amelia

  • Simon Boccanegra (saison 23/24) ACT I Nicole Car (Amelia) - Come in quest'ora bruna

  • Simon Boccanegra (saison 23/24) Act IIIL. L.Tézier, Mika Kares - Come un fantasma

  • Simon Boccanegra (saison 23/24) ACT II Etienne Dupuis (Paolo Albiani)-Quei due vedesti

  • Simon Boccanegra (saison 23/24) Act III Tutti-Gran dio li benedeci

  • Simon Boccanegra (saison 23/24) Prologue - Mika Kares (Jacopo Fiesco)-Lacerato spirito

  • Simon Boccanegra (saison 23/24) ACT I Nicole Car, Charles Castronovo -Vieni amira la cerula

  • Simon Boccanegra (saison 23/24) ACT I Nicole Car, Ludovic Tézier - Mi bacio mi benedisse

  • Simon Boccanegra (saison 23/24) Prologue Tézier, M. Kares -Suona ogni labbro il mio nome

  • Simon Boccanegra (saison 23/24) Act II Charles Castronovo - Ciel pietoso rendila

Press

  • Calixto Bieito's staging is characterized above all by its respect for the work. [...] The set accompanies or amplifies what the music says, without imposing itself against it.

    Olyrix, 2018
  • Calixto Bieito's staging is characterized above all by its respect for the work. [...] The set accompanies or amplifies what the music says, without imposing itself against it.

    L'Humanité, 2018
  • Un spectacle d’une grande force émotionnelle.

    Radio Classique
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Simon Boccanegra

Watch online the recording from season 18/19 on Paris Opera Play, with Ludovic Tézier, Maria Agresta, Mika Kares, Francesco Demuro...

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Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

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Imagined as benchmark, richly illustrated booklets, the programmes can be bought online, at the box offices, in our shops, and in the theatres hall on the evening of the performance.

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  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

  • Parking

    You can park your car at the Q-Park Opéra Bastille. It is located at 34 rue de Lyon, 75012 Paris. 

    BOOK YOUR PARKING PLACE.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

Book your parking spot
super alt text
super alt text
super alt text
super alt text
super alt text

Imagined as benchmark, richly illustrated booklets, the programmes can be bought online, at the box offices, in our shops, and in the theatres hall on the evening of the performance.

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

  • Parking

    You can park your car at the Q-Park Opéra Bastille. It is located at 34 rue de Lyon, 75012 Paris. 

    BOOK YOUR PARKING PLACE.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

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Simon Boccanegra

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