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La Cenerentola
Palais Garnier - from 10 September to 09 October 2022
La Cenerentola
Gioacchino Rossini
Palais Garnier - from 10 September to 09 October 2022
3h10 with 1 interval
Language : Italian
Surtitle : French / English
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Opening night : 10 Sept. 2022
About
In few words:
Relieved of her traditional attributes – velvet slipper and pumpkin carriage – and dominated by a tyrannical stepfather instead of a cruel stepmother, Rossini’s La Cenerentola plays with the traditional figures of the fairy tale. Cinderella lives, nonetheless, in a closed and loveless world, under the yoke of the tyrant she protects. Beneath her goodness smoulders a fire to be unleashed by her encounter with the prince... In this drama giocoso written for the Roman Carnival in 1871 in only 24 days, the young Rossini, with 19 operas to his name already, including Il barbiere di Siviglia, composed a jubilatory score with his famous “crescendi” that stoke up the dramatic tension. Taking up this brilliant and highly contrasted score, Guillaume Gallienne delicately underlines its subtle shades, from sombre melancholy to burlesque.
CHARACTERS
Dandini: Equerry to the prince
Don Magnifico: Father of Clorinda and Tisbe
Angelina: ALIAS CINDERELLA - Don Magnifico’s step-daughter
Clorinda et Tisbe: Don Magnifico’s daughters
Alidoro: Philosopher, Don Ramiro’s private tutor
- Opening
- First part 100 mn
- Intermission 30 mn
- Second part 60 mn
- End
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La Cenerentola
Opera in two acts (1817)
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Performances
Book your tickets today with the Season Pass
Available in audiodescription
Advantages
Full
Book your tickets today with the Season Pass
Available in audiodescription
Advantages
Full
Gallery
Videos clips
Audio clips
La Cenerentola (saison 22/23)- "O Figlie Amabili", Chœurs Ensembles
La Cenerentola (saison 22/23)- Ouverture
La Cenerentola (saison 22/23)- Final acte I
La Cenerentola (saison 22/23) - "Parlar, Pensar Vorrei" (Ensemble)
Backstage
© Eléna Bauer / Onp
03:26’
Video
The volcano's daughter
La Cenerentola by Guillaume Gallienne
01:41’
Video
Draw-me La Cenerentola
Understand the plot in 1 minute
© Isabelle Debreuille
Article
On the ashes of innocence
Visit of the sets of La Cenerentola seen by Guillaume Gallienne
02’
A big house of fire rises. It is dressed in a Pompeian fresco red, a beautiful rosso pompeiano shaded by browns and ochres that could well be the shades of the yellow of Naples from the lava of Vesuvius. Eric Ruf's set - the administrator of the Comédie Française has become a scenographer - erects this majestic house, a Neapolitan palace with a flamboyant mineral façade on a rugged bed of black lava and ashes.
La Cenerentola belongs to a consumed world, this volcanic Cinderella of Guillaume Gallienne celebrates the end of innocence, in a universe that has collapsed. This lost innocence is at the wedding with goodness. Cinderella is a young girl who loves and forgives, virtues that are missing in our time and that the director from the French department exalts.
This Cinderella of Italy, this Angelina of Rossini, hangs on our days its ideal benevolence. Light as the airy harp that plays her music, she has escaped in Guillaume Gallienne's Italian comedy, with its despicable and touching monsters, its boasts between frivolity and gravity, its joyful and cheerful creatures.
Here is a ball with a joyful story, a love story full of fantasy, which makes you want to believe in fairy tales and fairies. So much the worse if there is no good fairy, no slipper, no pumpkin, but a philosopher and a bracelet, we still find the evil sisters, the very young naive girl who goes from abused childhood to triumphant happiness, the decomposed family with its neuroses. It is no longer a tale, but its essential moral vibrates, goodness prevails over cruelty.
© Brigitte Enguerand
02:52’
Video
An eruption in the making
La Cenerentola by Eric Ruf
Backstage with La Cenerentola in company with the scenographer.
On-site Services
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Cloakrooms
Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.
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Bars
Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.
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Restaurant
CoCo is open every day from 12:00 pm to 2:00 am. More information on coco-paris.com or at +33 1 42 68 86 80 (reservations).
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Boutiques
A selection of works and items are available on our various boutiques: Online store and the Palais Garnier Shop.
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Last-minute tickets
€10 for seats with a limited view of the stage and special reduced rates are available.
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Parking
You can park your car at the Q-Park Edouard VII. It is located at Rue Bruno Coquatrix 75009 Paris (in front of 23 Rue de Caumartin).
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