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Alcina
Palais Garnier - from 25 November to 30 December 2021
Alcina
Georg Friedrich Haendel
Palais Garnier - from 25 November to 30 December 2021
3h40 with 2 intervals
Language : Italian
Surtitle : French / English
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Opening night : 25 Nov. 2021
About
In few words:
The history of opera has never ceased to be haunted by temptresses bewitching men. Alcina is no exception: she seduces her victims to the point where they forget their own homeland. Is it a risk of perverted love or the delights of unbridled passion? Beyond the supernatural, Handel’s stroke of genius was to portray Alcina as a woman who suffers: profoundly human and touching. The song of the vanquished sorceress awakens a strange compassion within us. Robert Carsen, whose production brought the work into the Paris Opera’s repertoire, plays with immensesubtlety on this ambiguity and the chiaroscuro subtlety on this ambiguity and the chiaroscuro of emotions and hidden desires.
CHARACTERS
Ruggiero: A knight betrothed to Bradamante
Bradamante: Ruggiero’s fiancée disguised as Ricciardo, her brother
Oronte: The leader of Alcina’s troops, betrothed to Morgana
Morgana: Alcina’s sister, betrothed to Oronte, in love with Bradamante
Melisso: Bradamante’s confidant
- Opening
- First part 55 mn
- Intermission 20 mn
- Second part 70 mn
- Intermission 20 mn
- Third part 55 mn
- End
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Alcina
Opera in three acts
After L’Arioste Orlando furioso
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Performances
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Available in audiodescription
Advantages
Full
Book your tickets today with the Season Pass
Available in audiodescription
Advantages
Full
Gallery
Videos clips
Audio clips
Alcina (saison 21/22) - Acte III (Rupert Charlesworth)
Alcina (saison 21/22) - Acte II (Gaëlle Arquez)
Alcina (saison 21/22) - Acte II (Nicolas Courjal)
Alcina (saison 21/22) - Acte I (Rupert Charlesworth)
Backstage
01:20’
Video
Imaginarie Alcina
A repertoire work narrated in a visual poem born of popular culture
Alcina by
Georg Friedrich Haendel at the Palais Garnier from 25 November to 30 December 2021
The history of opera has never ceased to be haunted by temptresses bewitching men. Alcina is no exception: she seduces her victims to the point where they forget their own homeland. Is it a risk of perverted love or the delights of unbridled passion? Beyond the supernatural, Handel’s stroke of genius was to portray Alcina as a woman who suffers: profoundly human and touching. The song of the vanquished sorceress awakens a strange compassion within us. Robert Carsen, whose production brought the work into the Paris Opera’s repertoire, plays with immensesubtlety on this ambiguity and the chiaroscuro subtlety on this ambiguity and the chiaroscuro of emotions and hidden desires.
Playlist
01:33’
Video
Draw-me Alcina
Understand the plot in 1 minute
The history of opera has never ceased to be haunted by temptresses bewitching men. Alcina is no exception: she seduces her victims to the point where they forget their own homeland. Is it a risk of perverted love or the delights of unbridled passion? Beyond the supernatural, Handel’s stroke of genius was to portray Alcina as a woman who suffers: profoundly human and touching. The song of the vanquished sorceress awakens a strange compassion within us.
© Sébastien Mathé / OnP
05:20’
Video
Alcina, the enchantress
Interview with the soprano Jeanine de Bique
For her Paris Opera debut, Jeanine de Bique sings the character of Alcina in Handel's opera of the same name, directed by Robert Carsen. The soprano discusses the complex feelings and emotions that run through the female characters and which reinforce the work's relevance today. The role of the enchantress Alcina is a great source of inspiration for Jeanine de Bique, who underlines the score's dissonances and harmonic abundance.
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