Iolanta /​the nutcracker

Piotr Ilyitch Tchaikovsky

Palais Garnier - from 07 March to 01 April 2016

Iolanta

Opera in one act (1892)

Music
Piotr Ilyitch Tchaikovski
Libretto
Modeste Tchaikovski
Conductor
Alain Altinoglu
Marius Stieghorst
Director
Dmitri Tcherniakov
Roi René
Alexander Tsymbalyuk
Iolanta
Sonya Yoncheva
Vaudémont
Arnold Rutkowski
Robert
Andrei Jilihovschi
Ibn Hakia
Vito Priante
Alméric
Roman Shulakov
Bertrand
Gennady Bezzubenkov
Martha
Elena Zaremba
Brigitta
Anna Patalong
Laura
Paola Gardina

The Nutcracker

Ballet in two acts (1892)

Music
Piotr Ilyitch Tchaikovski
Libretto
Dmitri Tcherniakov
Choreography
Sidi Larbi Cherkaoui
Edouard Lock
Arthur Pita
Danseurs en alternance
Marion Barbeau
Marine Ganio
Stéphane Bullion
Julien Meyzindi
Nicolas Paul
Aurélien Houette
Yvon Demol
Takeru Coste
Alice Renavand
Sofia Rosolini
Simon Le Borgne
Caroline Bance
Charlotte Ranson
Director
Dmitri Tcherniakov
Set design
Dmitri Tcherniakov
Costume design
Elena Zaitseva
Lighting design
Gleb Filshtinsky
Chorus master
Alessandro Di Stefano

Étoiles, Premiers Danseurs and Corps de Ballet
Paris Opera Orchestra and Chorus
Maîtrise des Hauts-de-Seine / Paris Opera Children's Chorus

French and English surtitles

This production will be recorded for television.

A coproduction by the Paris Opera, Bel Air Média and Arte with support from the CNC and directed by Andy Sommer.
Broadcast live in cinemas on 17 March and on Culture Box as of 25 March at 7 pm.
Broadcast on France 3 at a later date.
Broadcast on France Musique on 26 March.

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about


"Before physical and mortal eyes can open to the light, the immortal soul must penetrate the very sense of sight."

- Iolanta, scene 5


The mysterious, unwavering chant of the English horn, punctuated by notes from the bassoon and the clarinet, follows its chromatic descent over twenty bars as if plunging into an unknown world. A world where Iolanta has lived in seclusion since her birth. She is unwittingly blind, since no one has the right to reveal the fact to her. This simple tale of collective denial at the court of Provence as narrated by the Danish writer Henrik Hertz in his play King René’s Daughter, was discovered by Tchaikovsky in 1883. However, moved beyond words by the presence of the young actress Elena Konstantinova Leshkovskaya in the title role, it would be another five years before the composer decided to transform it into an opera. Should we believe him when he claims that “the dukes, knights and noble damsels of the Middle Ages had captivated his imagination, but not his heart”? Would the fate of the heroine, like a rite of passage from darkness to light, from lies to truth, not rekindle his own wounds which ended up carrying him to his grave less than a year after the double premiere of Iolanta and The Nutcracker at Saint Petersburg’s Mariinsky Theatre on December 18th 1892? 
Directed for the stage by Dmitri Tcherniakov, this exceptional programme combines all the talents of the Paris Opera and offers an opera and a ballet in a single evening: Tchaikovsky originally intended Iolanta and The Nutcracker to be staged together. However, since their debut performance at Saint Petersburg’s Mariinsky Theatre in 1892, they have been presented separately. The composer found inspiration for his opera in Danish playwright Henrik Hertz’s work recounting the romantic story of Iolanta, the blind daughter of King René. Protected by her father in his Provençal château, the princess ultimately regains her sight before marrying the gallant knight Vaudémont.

The Nutcracker is based on a tale by Hoffmann adapted by Alexandre Dumas. Like a two-sided mirror reflecting the dreams of a composer who took refuge in the realms of the imaginary, the Paris Opera is reviving the original diptych. Alain Altinoglu conducts and Dmitri Tcherniakov stages this production that symbolises the link between opera and ballet.

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