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Wozzeck
Opéra Bastille - from 10 to 30 March 2022
Wozzeck
Alban Berg
Opéra Bastille - from 10 to 30 March 2022
1h35 no interval
Language : German
Surtitle : French / English
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Pre‑opening for the young : 7 March 2022
Opening night : 10 March 2022
About
In few words:
An indispensable piece of modern music and one of the most emblematic of the 20th century, Wozzeck is a dazzling piece. Adapting Georg Büchner’s play, Alban Berg managed to capture the social and psychological violence roiling the soldier Franz Wozzeck, with a force and precision rarely attained in opera. Browbeaten by the captain, exploited by the doctor, deceived by Marie, Wozzeck leads us to reflect on the most tragic effects of madness both on a isolated individual and on a group. This expressionist world blends just as strikingly into the staging of William Kentridge, one of the major visual artists of the contemporary scene. His drawings and videos appear to us like projections of Wozzeck’s imagination, exposing the horror of the First World War.
CHARACTERS
Wozzeck: A psychologically fragile soldier exposed to persecution by his superiors
The Captain: The Captain of the garrison who enjoys humiliating Wozzeck
The Doctor: A sadistic tormentor who subjects Wozzeck to absurd experiments
Marie: Wozzeck’s mistress, with whom he has a child
The Drum-Major: A conceited fop who manages to seduce Marie
Andres: Wozzeck’s barrack-room friend
Margret: Marie’s neighbour
- Opening
- First part 95 mn
- End
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Wozzeck
Opera in three acts
After Georg Büchner, Woyzeck -
Performances
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Available in audiodescription
Advantages
Full
Book your tickets today with the Season Pass
Available in audiodescription
Advantages
Full
Gallery
Videos clips
Audio clips
Wozzeck (saison 21/22) - Acte 1 (Falk Struckmann, Johan Reuter)
Wozzeck (saison 21/22) - Acte 1 (Eva‑Maria Westbroek)
Wozzeck (saison 21/22) - Acte 1(Eva‑Maria Westbroek, Johan Reuter)
Wozzeck (saison 21/22) - Acte 2 (Gerhard Siegel, Falk Struckmann, Johan Reuter)
Backstage
© Simon Fowler / OnP
06:31’
Video
Wozzeck's sonorous beauty
Susanna Mälkki conducts Alban Berg
As William Kentridge's staging of Wozzeck enters the Paris Opera repertoire, Octave magazine talks to Susanna Mälkki. The conductor discusses Georg Büchner’s play used by Alban Berg to compose his opera. She explains how Berg characterised the characters by assigning them motifs and musical forms relating to the work's dramaturgical sense. In addition to its rich construction, Susanna Mälkki emphasises the score's sonorous beauty.
01:39’
Video
Draw-me Wozzeck
Understand the plot in 1 minute
An indispensable piece of modern music and one of the most emblematic of the 20th century, Wozzeck is a dazzling piece. Adapting Georg Büchner’s play, Alban Berg managed to capture the social and psychological violence roiling the soldier Franz Wozzeck, with a force and precision rarely attained in opera. Browbeaten by the captain, exploited by the doctor, deceived by Marie, Wozzeck leads us to reflect on the most tragic effects of madness both on a isolated individual and on a group. This expressionist world blends just as strikingly into the staging of William Kentridge, one of the major visual artists of the contemporary scene. His drawings and videos appear to us like projections of Wozzeck’s imagination, exposing the horror of the First World War.
© Agathe Poupeney / OnP
07’
Podcast
Podcast Wozzeck
"Dance! Sing! 7 minutes at the Paris Opera" - by France Musique
© Agathe Poupeney/OnP
05:30’
Video
Like a premonition of the First World War
Interview with William Kentridge
Playlist
Recommendations