Calendar Search
On stage
On stage
All program
Opera
Ballet
Concerts and Recitals
Young Audiences
Events
3e  Scène
Tristan et Isolde Tristan et Isolde Book
Tickets and services
Tickets and services
All Tickets and Services
Special offers
Subscriptions
Groups
Enterprises
Services
Calendar
Discover
Visit and explore
Visit and explore
See all
On-site services
Visit Garnier and Bastille
Exhibitions
Space rental
Access, opening times and contacts
Seating plans and prices
Accessibility
FAQ
Palais Garnier visitor pack Palais Garnier visitor pack Read more
Octave Magazine
Octave Magazine
See all
Encounters
Backstage
Perspectives
Medias
350 years
Subscribe to magazine
Nadine Sierra Nadine Sierra Watch interview
Discover l'Opéra
Discover l'Opéra
See all
History
The Palais Garnier
The Opéra Bastille
Ballet School
Contests and auditions
Season's Artists
Orchestra and chorus
Ballet
Academy
Permanent Chorus auditions Permanent Chorus auditions Read more
Support us
Support us
See all
Support a project
Join a circle
AROP – The Friends of the Paris Opera
Corporates
Leave a legacy
Make a donation
NAME A SEAT AT THE PARIS OPERA NAME A SEAT AT THE PARIS OPERA
Shop
FR EN
FR EN
Saison passée ? (prévoir header particulier si oui) : Oui

anne teresa de keersmaeker

Palais Garnier - from 27 April to 12 May 2018

See performances Subscribe Book Option booking

anne teresa de keersmaeker

Ballet

See performances Subscribe Book Option booking

Personal offers for this show

Palais Garnier - from 27 April to 12 May 2018

1h50 with 1 interval

  • Opening night : 27 April 2018

About

In few words:

Three works from her youth, three dialogues with guiding figures from classical music. The complex musical architecture of Quartet n°4 reflects the playfulness and seductive nature of ballerinas. With Die Grosse Fuge, Anne Teresa De Keersmaeker brings her quest for a masculine vocabulary to its conclusion with a work on the theme of the fall. The final part, Verklärte Nacht, scrutinises the sentiment of love through the wanderings of a couple whose image is fragmented into multiple images and sequences of itself. Of equal musical intensity, these three ballets interpenetrate in vibrant osmosis.

Representations

In audiodescription

Advantages

Full

In audiodescription

Advantages

Full