Photo © Charles Duprat / OnP
Photo © Charles Duprat / OnP
Rigoletto
Opéra Bastille - from 09 April to 30 May 2016
Book Subscribe Option booking This production is no longer available for subscription
Rigoletto
New show
Opera Giuseppe Verdi
Book Subscribe Option booking This production is no longer available for subscription
Personal offers for this show
Opéra Bastille - from 09 April to 30 May 2016
2h35 with 1 interval
Language : Italian
About
In few words:
"Gentlemen, give an old man back his daughter. To give her back will cost you nothing, my daughter is all I have in this world. Have pity, gentlemen, have pity."- Rigoletto, Act II
“Oh! Victor Hugo’s Le Roi s’amuse is the greatest subject, and perhaps the greatest drama of modern times. It’s a work worthy of Shakespeare!” A few months before he wrote those words to Francesco Maria Piave urging him to “turn Venice upside down and persuade the Censor to authorise the subject” – no easy matter given that moral values would be easily offended – Verdi was working on an adaptation of King Lear. No doubt, he was already imbued with the play by his revered master, Shakespeare, when he read Victor Hugo's drama. On discovering in the works of the French writer to whom he would owe Ernani, the greatest triumph of his “difficult years”, a parallel with the triangle formed by the King, his daughter and the jester, it was “like a thunderbolt, an inspiration”.
Between the frivolous, licentious Duke, and Gilda, a victim of the ignorance which holds her captive, stands the double-faceted character of the hunchback, both buffoon and curse-obsessed father. Monstrous and heartrending, grotesque and sublime, the title role reaches its apogee in the aria “Cortigiani, vil razza dannata”, whose descending movement, from the explosion of rage to the moment of entreaty, confirms the composer’s ability to adapt a form inherited from bel canto to theatrical realism. Under the baton of Nicola Luisotti, this new production of Rigoletto marks director Claus Guth’s first collaboration with the Paris Opera.
Rigoletto
Melodramma in three acts (1851)
After Victor Hugo, Le Roi s'amuse
Music :
Libretto :
Francesco Maria Piave
Director :
Set design :
Costume design :
Choreography :
Teresa Rotemberg
Lighting design :
Olaf Winter
Dramaturgy :
Video :
Andi A. Müller
Chorus master :
Il Duca di Mantova :
9, 11, 14, 17, 23, 26 avril, 2, 5 mai
20, 28 avril, 7, 10, 14, 16, 21, 24, 27, 30 mai
Rigoletto :
9, 11, 14, 17, 23, 26 avril, 2,10, 16, 24 mai
20, 28 avril, 14, 21, 27, 30 mai
5, 7 mai
Gilda :
9, 11, 14, 17, 23, 26 avril, 2, 5, 7, 10, 16, 24 mai
20, 28 avril, 14, 21, 27, 30 mai
Sparafucile :
9, 11, 14, 17, 23, 26 avril, 2, 5, 10, 16, 24 mai
20, 28 avril, 7, 14, 21, 27, 30 mai
Maddalena :
Giovanna :
Il Conte di Monterone :
Marullo :
Matteo Borsa :
Il Conte di Ceprano :
La Contessa :
Paggio della Duchessa :
Usciere di corte :
Performances
Available in audiodescription
Advantages
Full
Available in audiodescription
Advantages
Full
Gallery
1/14 :
© Charles Duprat / OnP
2/14 :
© Charles Duprat / OnP
3/14 :
© Charles Duprat / OnP
4/14 :
© Charles Duprat / OnP
5/14 :
© Charles Duprat / OnP
6/14 :
© Charles Duprat / OnP
7/14 :
© Charles Duprat / OnP
8/14 :
© Charles Duprat / OnP
9/14 :
© Charles Duprat / OnP
10/14 :
© Charles Duprat / OnP
11/14 :
© Charles Duprat / OnP
12/14 :
© Charles Duprat / OnP
13/14 :
© Charles Duprat / OnP
14/14 :
© Charles Duprat / OnP
Audio clips
Podcast | Rigoletto - Giuseppe Verdi
This production will be recorded for television.
A coproduction by the Paris Opera and Fra production with support from the CNC and directed by François Roussillon.
Broadcast in cinemas on 26 April, on Culture Box as of 28 April and on France 2 at a later date.
Broadcast live on France Musique on 28 May.
