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Ann Ray / OnP

Ann Ray / OnP

Ballet

New

Inner Landscapes

Jean-Christophe Maillot | William Forsythe | Aszure Barton

Palais Garnier

from 11 October to 07 November 2026

1h50 with 1 interval

The 16 October 2026 performance will be preceded by the Ballet Défilé.

Synopsis

Entitled “Inner Landscapes”, this evening suggests an intimate quest, an exploration of emotions and movement in three pieces, two of which are new additions to the repertoire.

In Vers un pays sage (1995), choreographer Jean-Christophe Maillot pays tribute to his father, the painter Jean Maillot. To the frenzied music of John Adams, the dancers engage in a dazzling marathon, a joyful explosion of colour.

Aszure Barton makes her Paris Opera debut with a black-and‑white piece, Busk (2009), whose title refers both to the English word for street performance and the Spanish buscar (to search). Using gypsy and choral music, the Canadian choreographer highlights the potential of the dancers’ bodies in an expressive and virtuoso language, sometimes close to mime.

Finally, William Forsythe’s sharp writing marries David Morrow’s music to offer the Rearray trio, a brilliant set of theme and variations pushing bodies to their limits.

Duration : 1h50 with 1 interval

  • Opening

  • First part 30 min

  • Intermission 20 min

  • Second part 60 min

  • End

Show chronology

Timeline

  • 1987

    Premiere of William Forsythe’s In the Middle, Somewhat Elevated at the Palais Garnier.

    Inner Landscapes
  • 1993

    Jean-Christophe Maillot is appointed choreographer-director of the Ballets de Monte-Carlo by HRH the Princess of Hanover.

  • 1995

    Jean-Christophe Maillot creates Vers un pays sage for the Ballets de Monte-Carlo.

    Inner Landscapes
  • 2006

    Aszure Barton creates Les Chambres des Jacques for Ballets Jazz Montréal.

  • 2009

    Aszure Barton creates Busk at the Ringling International Arts Festival.

  • 2011

    Premiere of William Forsythe’s Rearray at Sadler’s Wells Theatre in London, featuring Sylvie Guillem and Nicolas Le Riche.

    Inner Landscapes
  • 2012

    Aszure Barton creates the ballet Awáa, whose title means “she who is a mother” in Haida, the indigenous language of Haida Gwaii, an archipelago off the coast of northern British Columbia, Canada.

  • 2014

    Jean-Christophe Maillot creates La Mégère Apprivoisée for the Bolshoi Theatre Ballet.

  • 2016

    Premiere of William Forsythe’s Blake Works I at the Paris Opera.

    Inner Landscapes

    ©Julien Benhamou / OnP

  • 2019

    Jean-Christophe Maillot creates Coppél-i.A. for the Ballets de Monte-Carlo, reimagining Coppélia through the lens of artificial intelligence.

    Inner Landscapes

    ©Alice Blangero

  • 2023

    In collaboration with musician Ambrose Akinmusire, Aszure Barton creates Bend.

  • 2024

    William Forsythe creates a new version of Rearray for the Paris Opera Ballet.

    Inner Landscapes

    ©Ann Ray / OnP

Artists

Entry to the répertoire

Creative team

Cast

  • Sunday 11 October 2026 at 14:30
  • Friday 16 October 2026 at 19:30
  • Saturday 17 October 2026 at 20:00
  • Saturday 17 October 2026 at 14:30
  • Friday 23 October 2026 at 19:30
  • Saturday 24 October 2026 at 20:00
  • Saturday 24 October 2026 at 14:30
  • Sunday 25 October 2026 at 14:30
  • Saturday 31 October 2026 at 19:30
  • Monday 02 November 2026 at 19:30
  • Tuesday 03 November 2026 at 19:30
  • Wednesday 04 November 2026 at 19:30
  • Thursday 05 November 2026 at 19:30
  • Friday 06 November 2026 at 19:30
  • Saturday 07 November 2026 at 19:30

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Based on the choreography created for Sylvie Guillem and the Sadler’s Wells Theatre in London (2011)

Creative team

Cast

  • Sunday 11 October 2026 at 14:30
  • Friday 16 October 2026 at 19:30
  • Saturday 17 October 2026 at 20:00
  • Saturday 17 October 2026 at 14:30
  • Friday 23 October 2026 at 19:30
  • Saturday 24 October 2026 at 20:00
  • Saturday 24 October 2026 at 14:30
  • Sunday 25 October 2026 at 14:30
  • Saturday 31 October 2026 at 19:30
  • Monday 02 November 2026 at 19:30
  • Tuesday 03 November 2026 at 19:30
  • Wednesday 04 November 2026 at 19:30
  • Thursday 05 November 2026 at 19:30
  • Friday 06 November 2026 at 19:30
  • Saturday 07 November 2026 at 19:30

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Entry to the répertoire

Creative team

  • Aszure Barton
    Aszure Barton Choreography
  • opera logo
    Slava Grigoryan, August Söderman, David Wikander, Moondog, Daniel Belanger, Ljova and the Kontraband Zhurbin, Camille Saint-Saë Music
  • Nicole Pearce
    Nicole Pearce Set and lighting design
  • Michelle  Jank
    Michelle Jank Costume design

Cast

  • Sunday 11 October 2026 at 14:30
  • Friday 16 October 2026 at 19:30
  • Saturday 17 October 2026 at 20:00
  • Saturday 17 October 2026 at 14:30
  • Friday 23 October 2026 at 19:30
  • Saturday 24 October 2026 at 20:00
  • Saturday 24 October 2026 at 14:30
  • Sunday 25 October 2026 at 14:30
  • Saturday 31 October 2026 at 19:30
  • Monday 02 November 2026 at 19:30
  • Tuesday 03 November 2026 at 19:30
  • Wednesday 04 November 2026 at 19:30
  • Thursday 05 November 2026 at 19:30
  • Friday 06 November 2026 at 19:30
  • Saturday 07 November 2026 at 19:30

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

Latest update 21 October 2026, cast is likely to change.

With the Paris Opera Étoiles, First Soloists and Corps de Ballet
Recorded music

Media

  • Rehearsing Busk

    Rehearsing Busk

    Watch the video

  • Reharsing Rearray by William Forsythe

    Reharsing Rearray by William Forsythe

    Watch the video

  • Les Grands Entretiens - Vers un pays sage

    Les Grands Entretiens - Vers un pays sage

    Watch the video

  • Jean-Christophe Maillot reflects on "Inner Landscapes"

    Jean-Christophe Maillot reflects on "Inner Landscapes"

    Watch the video

Rehearsing Busk

Watch the video

A rebellion

3:59 min

Rehearsing Busk

By Antony Desvaux

To mark the addition of Busk to the Paris Opera Ballet’s repertoire, Aszure Barton explains what inspired this work. The choreographer explains that she wanted to celebrate dance, an art form she believes is not given enough recognition. She cites street performers as her main source of inspiration.

Through their freedom and willingness to take risks, they influenced the dramaturgy, costumes, and music of Busk. Finally, Aszure Barton shares her fascination with the intelligence of the body.  

Reharsing Rearray by William Forsythe

Watch the video

A playful choreography

6:28 min

Reharsing Rearray by William Forsythe

By Antony Desvaux

On the occasion of the revival of Rearray at the Palais Garnier, Roxane Stojanov, Loup Marcault-Derouard, and Takeru Coste discuss the work of William Forsythe. They explore how this trio is structured and the female dancer’s role as “conductor.” They describe the creative process behind this ballet and highlight its experimental nature, particularly with regard to the different levels of height: on pointe, on flat feet, and on the floor. Finally, they discuss the playful and surprising side of a choreographer who is always challenging himself.  

Les Grands Entretiens - Vers un pays sage

Watch the video

Jean-Christophe Maillot, José Martinez

20:40 min

Les Grands Entretiens - Vers un pays sage

By Isabelle Stibbe

When an artist meets the General Director of the Paris Opera or its Director of Dance, what do they talk about? For the second season of the series Les Grands Entretiens, the Paris Opera reveals the behind-the-scenes process behind the artistic programming of the new productions for the 2026/27 season. Choice of guest artists, key themes, staging intentions, or choreographic styles: these exclusive conversations, lasting between fifteen and thirty minutes, offer the first keys to understanding the works soon to appear on the bill.

The addition of Vers un pays sage to the repertoire provides an opportunity for choreographer Jean-Christophe Maillot to discuss with José Martinez, Director of Dance at the Paris Opera, their influences, the neoclassical style, and the use of pointe work.  

Jean-Christophe Maillot reflects on "Inner Landscapes"

Watch the video

1:26:26 min

Jean-Christophe Maillot reflects on "Inner Landscapes"

By Isabelle Stibbe

On the occasion of the addition of Vers un pays sage to the repertoire, Jean-Christophe Maillot reflects on the ballet he created in 1995 as a tribute to his father, the painter Jean Maillot. The choreographer also looks back on his career, his artistic style, and the way he passes on his work to today's dancers.

For the third consecutive season, the Paris Opera is offering monthly encounters with artists to shed light on upcoming productions, just days before opening night. Titled Toï toï toï, these exclusive events held at the Amphitheatre or Studio of the Opéra Bastille give audiences a chance to discover new productions or explore the repertoire, and to engage directly with the artists at the end of each session.

  • BUSK by Aszure Barton (Milo Avêque)
  • PAYS SAGE by Jean-Christophe Maillot (Roxane Stojanov)
  • PAYS SAGE by Jean-Christophe Maillot (Hohyun Kang, Thomas Docquir)
  • BUSK by Aszure Barton (Milo Avêque)
  • PAYS SAGE by Jean-Christophe Maillot (Hohyun Kang, Thomas Docquir)
  • PAYS SAGE by Jean-Christophe Maillot (Roxane Stojanov)
  • REARRAY by William Forsythe
  • BUSK by Aszure Barton (Milo Avêque)
  • PAYS SAGE by Jean-Christophe Maillot (Roxane Stojanov)
  • PAYS SAGE by Jean-Christophe Maillot (Hohyun Kang, Thomas Docquir)
  • BUSK by Aszure Barton (Milo Avêque)
  • PAYS SAGE by Jean-Christophe Maillot (Hohyun Kang, Thomas Docquir)
  • PAYS SAGE by Jean-Christophe Maillot (Roxane Stojanov)
  • REARRAY by William Forsythe

Access and services

Palais Garnier

Place de l'Opéra

75009 Paris

Public transport

Underground Opéra (lignes 3, 7 et 8), Chaussée d’Antin (lignes 7 et 9), Madeleine (lignes 8 et 14), Auber (RER A)

Bus 20, 21, 27, 29, 32, 45, 52, 66, 68, 95, N15, N16

Calculate my route
Car park

Parking Q-Park Edouard VII and Q-Park Meyerbeer 16 rue Bruno Coquatrix 4 rue de la Chaussée d'Antin 75009 Paris

Book your spot at a reduced price
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An invisible territory we each carry within us – a blend of memories, emotions and images – the inner landscape is a state of mind and soul. By giving form to this geography of the inner self, dance opens a window onto experiences of colour (Vers un Pays Sage), form (Rearray) and gestures glimpsed on a street corner (Busk).

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

At the Palais Garnier, buy €10 tickets for seats in the 6th category (very limited visibility, two tickets maximum per person) on the day of the performance at the Box offices.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €25 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €40 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Palais Garnier
  • Every day from 10 a.m. to 6:30 p.m. and until performances end
  • Get in from Place de l’Opéra or from within the theatre’s public areas
  • For more information: +33 1 53 43 03 97

Palais Garnier

Place de l'Opéra

75009 Paris

Public transport

Underground Opéra (lignes 3, 7 et 8), Chaussée d’Antin (lignes 7 et 9), Madeleine (lignes 8 et 14), Auber (RER A)

Bus 20, 21, 27, 29, 32, 45, 52, 66, 68, 95, N15, N16

Calculate my route
Car park

Parking Q-Park Edouard VII and Q-Park Meyerbeer 16 rue Bruno Coquatrix 4 rue de la Chaussée d'Antin 75009 Paris

Book your spot at a reduced price
super alt text
super alt text
super alt text
super alt text
super alt text
super alt text
super alt text
super alt text
super alt text
super alt text

An invisible territory we each carry within us – a blend of memories, emotions and images – the inner landscape is a state of mind and soul. By giving form to this geography of the inner self, dance opens a window onto experiences of colour (Vers un Pays Sage), form (Rearray) and gestures glimpsed on a street corner (Busk).

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

At the Palais Garnier, buy €10 tickets for seats in the 6th category (very limited visibility, two tickets maximum per person) on the day of the performance at the Box offices.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €25 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €40 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Palais Garnier
  • Every day from 10 a.m. to 6:30 p.m. and until performances end
  • Get in from Place de l’Opéra or from within the theatre’s public areas
  • For more information: +33 1 53 43 03 97

Partners

  • Grand Patron of the Season

Immerse in the Paris Opera universe

Jean-Pierre Delagarde / OnP

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