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così fan tutte

Wolfgang Amadeus Mozart

Palais Garnier - from 12 September to 21 October 2017

3h20 with 1 interval

Opening night on 12 sept.

Photo © Image Source / Joel James Devlin

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    Così fan tutte

    Opera buffa in two acts (1790)

    Music
    Wolfgang Amadeus Mozart
    Libretto
    Lorenzo Da Ponte

    In Italian

    Conductor
    Philippe Jordan

    12 sept. > 8 oct.


    Marius Stieghorst

    10 > 21 oct.

    Director
    Anne Teresa De Keersmaeker
    Fiordiligi
    Jacquelyn Wagner

    16, 18, 30 sept., 3, 5, 10, 17 oct.


    Ida Falk-Winland

    12, 20, 25, 28 sept., 8, 14, 21 oct.

    Dorabella
    Michèle Losier

    16, 18, 30 sept., 3, 5, 10, 17 oct.


    Stephanie Lauricella

    12, 20, 25, 28 sept., 8, 14, 21 oct.

    Ferrando
    Cyrille Dubois
    Guglielmo
    Philippe Sly

    16, 18, 30 sept.


    Edwin Crossley-Mercer

    12, 20, 25, 28 sept., 3, 5, 8, 10, 14, 17, 21 oct.

    Don Alfonso
    Paulo Szot

    16, 18, 30 sept., 3, 5, 10, 17 oct.


    Simone Del Savio

    12, 20, 25, 28 sept., 8, 14, 21 oct.

    Despina
    Ginger Costa-Jackson

    16, 18, 30 sept., 3, 5, 10, 17 oct.


    Maria Celeng

    12, 20, 25, 28 sept., 8, 14, 21 oct.

    Set design
    Jan Versweyveld
    Costume design
    An D’Huys
    Lighting design
    Jan Versweyveld
    Dramaturgy
    Jan Vandenhouwe
    Chorus master
    Alessandro Di Stefano

    Orchestre et Choeurs de l’Opéra national de Paris
    Avec les danseurs de la Compagnie Rosas

    Podcast

    about

    A lover one no longer sees is soon forgotten.Another takes his place.

    Ovide, l'Art d'aimer

    In entrusting the production of the first opera in its new Mozart-Da Ponte trilogy to Anne Teresa De Keersmaeker, the Paris Opera has chosen an intimate marriage between song and dance. With her outstanding talent for highlighting the underlying geometry of musical works, the choreographer will be working with a double cast of both singers and dancers, transforming the stage of the Palais Garnier into a space in which the lovers, having made a wager with a philosopher straight out of the Enlightenment, undergo an experience both alchemical and emotional. Their bodies resemble the pairs of elements evoked by Goethe in Elective Affinities: they seem inseparable until a foreign body disrupts their equilibrium and creates new liaisons.

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