As a member of Berlin’s Deutsche Oper troupe Jacquelyn Wagner tackled the great roles of the theatre’s repertoire (Pamina in The Magic Flute, the Countess in The Marriage of Figaro, Micaela in Carmen, Musetta in La Bohème, Gretel in Hänsel and Gretel, Marei in Zemlinsky’s Der Traumgörge, and Stéphano in Roméo and Juliet…). She has made guest appearances on the stages of numerous opera houses, including Frankfurt (the Countess, Violetta in La Traviata), Toulon (Agathe in Freischütz), Miami (Donna Anna in Don Giovanni), the Dresden Semperoper (Micaela), the Liceu in Barcelona (Zuccherina in L’Ape Musicale), the Grand Théâtre in Geneva (Fiordiligi in Così fan tutte), the Vienna Volksoper (Violetta), the Maggio Musicale Fiorentino (Ortlinde in Die Walküre with Zubin Mehta conducting), the Bordeaux Opera (Donna Anna), the Strasbourg Opera (Fiordiligi then Rosalinde in Die Fledermaus), the Basle Opera (the Countess), the Stuttgart Staatstheater, the Flanders Opera and the Marseille Opera. During the 2012 / 2013 season, she performed the role of Suor Angelica at the Cologne Opera. The following season, she made her debut at New York’s Carnegie Hall in a concert version of Feuersnot and then sang the title role of Arabella in Minneapolis.
The 2014 / 2015 season saw her in two new roles: the lead in Giovanna d’Arco at the Bonn Opera and Vitellia in La Clemenza de Tito at the Rhine Opera. She has also played Arabella at the Amsterdam Opera, Donna Elvira at the Toulon Opera, Pamina at the Teatro Petruzzelli in Bari, and the Countess at the Wiesbaden Opera. In 2015, she made her debut at the Paris Opera (as Pamina) and then went on to sing the roles of Arabella and Desdemona (Otello) at the Deutsche Oper am Rhein, Gutrune (The Twilight of the Gods) at the Liceu in Barcelona, and Mimi (La Bohème) and Fiordiligi in Cologne. Jacquelyn Wagner also performs regularly in concert (Bruckner’s Mass in F Minor, Haydn’s Creation, Mendelssohn’s Elias, Mozart’s Requiem and Mass in C Minor, Strauss’s Four Last Songs, and Beethoven’s Ninth Symphony) and in recital, most notably in Japan and at the Berlin Philharmonic (Mozart’s arias with the Deutsche Kammerorchester).
Eva (The Mastersingers of Nuremberg) at La Scala in Milan, Volkhova (Sadko) at the Flanders Opera.