© Philippe Delval 2022
Cyrille Dubois first sang in Caen’s Choir, obtained a degree in Science and studied at the Paris Conservatoire, before joining the Paris Opera’s opera workshop, the Atelier Lyrique in 2010. In 2015, Cyrille Dubois was nominated Best New Opera Artist at the Victoires de la Musique and Chevalier des Arts et des Lettres in 2022.
His wide repertoire ranges from Baroque (Hippolyte, in Hippolyte et Aricie) to contemporary music (L’Autre in Point d'orgue), Italian Bel Canto (Count Almaviva in The Barber of Seville, Don Ramiro in La Cenerentola), Mozart (Ferrando in Così fan tutte, Tamino in The Magic Flute) and French Opera-comique.
He can be heard in many leading European staged, such as Teatro alla Scala, Milan (Nathanael in The Hoffmann Tales), La Monnaie in Brussels (Azor in La Dispute), Staatsoper Wien (Ernesto in Don Pasquale), Zurich Opera (Fenton in Falstaff), Théâtre des Champs-Élysées and the Opéra Comique (title role in Fortunio).
He has won many international competitions with Tristan Raës, and together they perform in St-Petersburg, Venice, London, Moscow, and have recorded works by Liszt, the sisters Boulangers, and the complete songs of Fauré.
Cyrille Dubois is also a concert singer and teaches masterclasses regularly. In the 2023/24 season, he sings Tamino at Théâtre des Champs-Élysées, Idamante (Idomeneo) at Théâtre du Capitole in Toulouse and Renaud (Armide) at Opéra Comique.
His discography includes about forty recordings, including the title role in Pygmalion, Iopas in The Trojans, Acanthe in Acante et Cephise, Britten’s Canticles and Gervais’s Grands Motets.
At the Paris Opera: The Tales of Hoffmann (Nathanaël), 2012; Alcina (Oronte), 2014; Ariadne auf Naxos (Brighella), 2015; King Arthur (a worker), 2015; Così fan tutte (Ferrando), 2017; Trompe-la-mort (Lucien de Rubempré), 2017; Les Huguenots (Tavannes, a monk), 2018; Les Troyens (Iopas), 2019; The Magic Flute (Tamino), 2021
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