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If the liaison between Titus and Berenice inspired one of the greatest French playwrights, it was the Roman Emperor himself, an incarnation of absolute sovereignty, that occupied the central position in what was to be Mozart’s last opera.
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If the liaison between Titus and Berenice inspired one of the greatest French playwrights, it was the Roman Emperor himself, an incarnation of absolute sovereignty, that occupied the central position in what was to be Mozart’s last opera.
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