Agathe Poupeney / OnP

Agathe Poupeney / OnP

Opera

Giulio Cesare

Georg Friedrich Handel

Palais Garnier

from 20 January to 16 February 2024

4h15 with 2 intervals

Giulio Cesare

Palais Garnier - from 20 January to 16 February 2024

Synopsis

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A love story between two illustrious figures of antiquity - Caesar and Cleopatra - coupled with power struggles in Egypt: these ingredients alone could explain the immediate success of Giulio Cesare when it premiered in 1724 at the Haymarket Theatre in London. But if it became Handel's most popular opera, it was above all thanks to its sumptuous orchestration and prodigious musical inventiveness.

Each character is portrayed with great psychological finesse, especially Cleopatra, one of the history of music's finest female portraits. Director Laurent Pelly sets the action in the reserves of a museum, in the department of Egyptian antiquities, resulting in delightful era-shifts between characters in togas and busy maintenance workers. A playful way of breaking the codes of the opera seria, which was precisely Handel's objective.

Duration : 4h15 with 2 intervals

Language : Italian

Surtitle : French / English

Show acts and characters

CHARACTERS

Julius Caesar: Roman consul
Cleopatra: Queen of Egypt
Ptolemy: King of Egypt and Cleopatra’s brother
Cornelia: Widow of Pompey, Caesar’s former rival
Sextus: Son of Cornelia and Pompey
Achilla: Adviser to Ptolemy
Nirenus: Cleopatra’s confidant  

First part

Julius Caesar, after having beaten Pompey at Pharsale in Greece, pursues him to Eygpt where he has taken refuge with Ptolemy XIV, who reigns over the valley of the Nile with his sister Cleopatra.

Act 1

A PLAIN IN EYGPT
The curtain rises on Caesar’s arrival in Eygpt. Cornelia and Sextus, Ptolemy’s wife and son, come to ask for peace. They are interrupted by Achilla who brings, in the name of his master Ptolemy, gifts intended to win Caesar’s favour. Under the gifts is Pompey’s head. Caesar reacts indignantly to the practices of this barbaric sovereign. Cornelia is overcome with grief. Sextus swears to avenge his father.

THE ROYAL PALACE
Cleopatra is horrified to learn of Pompey’s death from the mouth of Nirenus, who, under cover of serving Ptolemy, is the trusty confident of the queen. Ptolemy appears and immediately they start to quarrel over power. Achilla appears sud- denly and reports on his discussions with Caesar. On hearing Ptolemy’s fury, he promises to kill Caesar on condition that he receives the hand of Cornelia in reward.

CAESAR’S CAMP
Cleopatra appears with Nirenus. She pretends to be Lydia, a young girl in Cleopatra’s suite. Captivated by her beauty, Caesar promises his help. Confident in her subterfuge, Cleopatra counts on her looks to triumph over her brother. Cornelia comes to commune with Pompey’s ashes. Sextus appears suddenly and prevents her from carrying out the vengeance that should by right be his. Cleopatra, still passing herself off as Lydia, and Nirenus offer to guide them to the tyrant. Alone, Cleopatra sings of her hope of seeing her plans accomplished.

A RECEPTION ROOM IN THE ROYAL PALACE
Julius Caesar and Ptolemy outdo each other in diplomacy but their courtesies do not hide a reciprocal disdain. Cornelia and Sextus appear, defying Ptolemy, who is not insensible to the spectacle of the enraged widow and has her arrested along with her son. He promises the widow to Achilla but secretly reserves her for himself. Achilla offers Cornelia her liberty in return for mar- riage but meets with refusal.

Second part

Act 2

THE PLAY OF VIRTUE
Having prepared with Nirenus an allegorical play intended to captivate Caesar, Cleopatra appears to the sound of heavenly music in the role of Virtue surrounded by the nine Muses. An ecstatic Caesar prepares to follow Nirenus, who will lead him to Lydia’s apartments.

IN THE PALACE GARDENS
Cornelia is employed in humiliating tasks under the eye of Achilla. Ptolemy in turn tries to seduce Cornelia, who rebuffs his advances. Alone, Cornelia prepares to take her life by throwing herself into the lion pit. She is prevented from doing so by Sextus and Nirenus, who has received the order to take Cornelia to the harem. Nirenus offers to hide Sextus in the seraglio so that he may kill Ptolemy before he can violate his mother.

THE GARDEN OF DELIGHTS
The tender conversation between Cleopatra and Caesar is interrupted by Curio, who reveals to Caesar that a plot is being hatched against him. Cleopatra gives herself away and Caesar leaves to confront the conspirators. Alone, Cleopatra realises that she has become the victim of her own scheming; she is in love with Caesar and asks the gods to protect him.

THE HAREM
Ptolemy prepares to violate Cornelia. Sextus, who has entered unobserved, makes to seize the tyrant’s sword when Achilla appears and grabs it. The Egyptian affirms that Caesar has perished diving from a palace window into the port of Alexandria to escape the ambush. Cleopatra has taken the head of the Roman armies and battle is about to commence. Confident in victory, Ptolemy rejects Achilla’s demand for his due, the hand of Cornelia.

Third part

Act 3

THE BATTLE
Achilla, betrayed by Ptolemy, decides to join Cleopatra. But the battle turns in the Egyptians’ favour and they capture the queen. Cleopatra weeps for Caesar whom she believes to be dead.

THE SHORE
Caesar has not perished. He has swum to the shore, exhausted and worried about the fate of his army and still more about that of Cleopatra. Sextus and Nirenus hear the confession of Achilla, who lies dying and who gives them a seal which will rally the troops with whom they will able to enter the palace secretly. Having revealed himself, Caesar claims the seal and hurries off to save Cleopatra.

CLEOPATRA’S PRISON
Cleopatra prepares to die. But the arms she hears are Caesar’s. He has come to free her before completing his victory over Ptolemy.

THE HAREM
Ptolemy prepares to ravish Cornelia. Sextus rushes upon him and kills him. Pompey’s widow begins to rediscover a taste for life.

THE PORT OF ALEXANDRIA
Sextus and Cornelia bring Ptolemy’s crown. Caesar hands it to Cleopatra, who acknowledges that she is his vassal. They declare their love. All celebrate the return of peace, while Caesar and Cleopatra take to the Nile heading for the pyramids.

Artists

Opera seria in three acts (1724)

After Giacomo Francesco Bussani

Creative team

The Paris Opera Orchestra and the Unikanti Chorus

Media

[TRAILER] GIULIO CESARE by Georg Friedrich Haendel
[TRAILER] GIULIO CESARE by Georg Friedrich Haendel
  • [EXTRAIT] GIULIO CESARE by Georg Friedrich Haendel (Lisette Oropesa, Gaëlle Arquez - "Caro! Bella!")
  • [EXTRAIT] GIULIO CESARE by Georg Friedrich Haendel (Gaëlle Arquez - " Empio, dirò, tu sei")
  • [EXTRAIT] GIULIO CESARE by Georg Friedrich Haendel (Iestyn Davies - "L'empio, sleale, indegno")
  • Giulio Cesare (saison 23/24) - Lisette Oropesa, Gaëlle Arquez - Caro! Bella!

  • Giulio Cesare (saison 23/24) - Emily D'Angelo - L'angue Offeso Mai Riposa

  • Giulio Cesare (saison 23/24) - Gaëlle Arquez - Va Tacito E Nascosto

  • Giulio Cesare (saison 23/24) - Gaëlle Arquez - Empio Diro Tu Sei

  • Giulio Cesare (saison 23/24) - Sinfonia

  • Giulio Cesare (saison 23/24) - Lisette Oropesa - Se Pieta

  • Giulio Cesare (saison 23/24) - Wiebke Lehmkuhl, Emily D'Angelo - Son Nata Lagrimar

  • Giulio Cesare (saison 23/24) - Iestyn Davies - L'empio Sleale Indegno

  • Giulio Cesare (saison 23/24) - Ouverture

Press

  • Handel at its best, not to be missed.

    Télérama, 2023

Access and services

Palais Garnier

Place de l'Opéra

75009 Paris

Public transport

Underground Opéra (lignes 3, 7 et 8), Chaussée d’Antin (lignes 7 et 9), Madeleine (lignes 8 et 14), Auber (RER A)

Bus 20, 21, 27, 29, 32, 45, 52, 66, 68, 95, N15, N16

Calculate my route
Car park

Q-Park Edouard VII16 16, rue Bruno Coquatrix 75009 Paris

Book your parking spot
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In Laurent Pelly’s production, the world of Antiquity comes to life in museum collections. In a ballet of curators and stewards, Roman and Egyptian relics interact with Baroque and Orientalist paintings, evoking the cultural construction of ancient Egypt in the 19th century.
Following on from Platée (1999), Ariadne auf Naxos (2003) and L’Elisir d’amore (2006), Giulio Cesare, premiered in 2011, is the director’s seventh production at the Paris Opera.  

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

  • Restaurant

    CoCo is open every day from 12:00 pm to 2:00 am. More information on coco-paris.com or at +33 1 42 68 86 80 (reservations).

  • Parking

    You can park your car at the Q-Park Edouard VII. It is located at Rue Bruno Coquatrix 75009 Paris (in front of 23 Rue de Caumartin).

    BOOK YOUR PARKING PLACE.

At the Palais Garnier, buy €10 tickets for seats in the 6th category (very limited visibility, two tickets maximum per person) on the day of the performance at the Box offices.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Palais Garnier
  • Every day from 10:30 a.m. to 6 p.m. and until performances end
  • Get in from Place de l’Opéra or from within the theatre’s public areas
  • For more information: +33 1 53 43 03 97

Palais Garnier

Place de l'Opéra

75009 Paris

Public transport

Underground Opéra (lignes 3, 7 et 8), Chaussée d’Antin (lignes 7 et 9), Madeleine (lignes 8 et 14), Auber (RER A)

Bus 20, 21, 27, 29, 32, 45, 52, 66, 68, 95, N15, N16

Calculate my route
Car park

Q-Park Edouard VII16 16, rue Bruno Coquatrix 75009 Paris

Book your parking spot
super alt text
super alt text
super alt text
super alt text
super alt text

In Laurent Pelly’s production, the world of Antiquity comes to life in museum collections. In a ballet of curators and stewards, Roman and Egyptian relics interact with Baroque and Orientalist paintings, evoking the cultural construction of ancient Egypt in the 19th century.
Following on from Platée (1999), Ariadne auf Naxos (2003) and L’Elisir d’amore (2006), Giulio Cesare, premiered in 2011, is the director’s seventh production at the Paris Opera.  

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

  • Restaurant

    CoCo is open every day from 12:00 pm to 2:00 am. More information on coco-paris.com or at +33 1 42 68 86 80 (reservations).

  • Parking

    You can park your car at the Q-Park Edouard VII. It is located at Rue Bruno Coquatrix 75009 Paris (in front of 23 Rue de Caumartin).

    BOOK YOUR PARKING PLACE.

At the Palais Garnier, buy €10 tickets for seats in the 6th category (very limited visibility, two tickets maximum per person) on the day of the performance at the Box offices.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Palais Garnier
  • Every day from 10:30 a.m. to 6 p.m. and until performances end
  • Get in from Place de l’Opéra or from within the theatre’s public areas
  • For more information: +33 1 53 43 03 97

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5 min

Giulio Cesare

The true/false story : Giulio Cesare in Egitto

Conspiracies, power struggles and betrayals… Here’s another complex opera story, typical of the genre. Can you untangle this true/false synopsis of Handel’s Giulio Cesare in Egitto? You’re up!

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