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La Clemenza di Tito
Palais Garnier - from 15 November to 25 December 2017
La Clemenza di Tito
Opera Wolfgang Amadeus Mozart
Personal offers for this show
Palais Garnier - from 15 November to 25 December 2017
2h45 with 1 interval
Language : Italian
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Opening night : 15 November 2017
About
In few words:
If the liaison between Titus and Berenice inspired one of the greatest French playwrights, it was the Roman Emperor himself, an incarnation of absolute sovereignty, that occupied the central position in what was to be Mozart’s last opera. Marking a return to opera seria in its formal constraints and choice of subject, the work nevertheless defies expectations, its humanity shining forth through an obscure clarity in which the hidden melancholy of a score composed by an already declining Mozart is discernible. Willy Decker’s streamlined production offers an exploration of the nature of power in which forgiveness and reconciliation are examined in all their strength and fragility.
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La clemenza di Tito
Opera in two acts
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Music :
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Libretto :
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Musical adaptation :
Caterino Mazzolà
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Conductor :
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Director :
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Set design :
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Costume design :
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Lighting design :
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Chorus master :
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Tito Vespasiano :
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15, 18, 20, 28 nov., 17, 21, 25 déc.
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23, 25, 30 nov., 3, 5, 8, 11, 14 déc.
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Vitellia :
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15, 18, 20, 23, 28 nov., (5, 17, 21, 25 déc.
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25, 30 nov., 3, 5, 8, 11, 14 déc.
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Servilia :
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15, 18, 20, 28 nov., 17, 21, 25 déc.
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Sesto :
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15, 18, 20, 28 nov.,5, 17, 21, 25 déc.
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23, 25, 30 nov., 3, 8, 11, 14 déc.
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Annio :
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15, 18, 20, 28 nov., 17, 21, 25 déc.
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23, 25, 30 nov., 3, 5, 8, 11, 14 déc.
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Publio :
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Performances
Available in audiodescription
Advantages
Full
Available in audiodescription
Advantages
Full
Gallery
Audio clips
Podcast | La Clémence de Titus - Wolfgang Amadeus Mozart
About the work
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Imperial Tête-à-tête in La Clemenza di Tito
By Angelika Potier and Hébert Desormière
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The Emperor's March
By Octave
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La Clemenza di Tito in a nutshell
Partners
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With the support of AROP