Marie Perbost Soprano

Trained at the Académie de l'Opéra national de Paris

Marie Perbost trained at the Maîtrise de Radio-France, then at the Conservatoire national supérieur de musique de Paris. She then joined the Académie de l'Opéra national de Paris, the Académie du Festival d'Aix-en-Provence and the Young Singers Project at the Salzburg Festival. She has won numerous awards, and was named Révélation lyrique de l'ADAMI in 2016 and Révélation Artiste lyrique des Victoires de la Musique in 2020. Her roles include Blanche de La Force (Dialogues des carmélites), Despina (Così fan tutte), Elisetta (Cimarosa's Le Mariage secret), the Young Woman (Boesmans' Reigen), Pamina (The Magic Flute), Marzelline (Fidelio), Tullia (Galuppi's Le Monde à l'envers), Lucine (Roussel's Le Testament de tante Caroline), the Countess (Richard, Lionheart), the title role in Durón's Coronis, Folie (Platée), Musetta (La Bohème), Gloire, Phénice et Mélisse (Armide), Almaïde (La Caravane du Caire), Eurydice (Orphée aux Enfers) and Ilia (Idomeneo), in institutions such as Opéra de Tours, Opéra de Dijon, Opéra Royal de Versailles, Opéra Comique, Théâtre du Capitole de Toulouse and Opéra de Lausanne.

Marie Perbost also performs in concerts and recitals, and collaborates as soloist with the Orchestre national d'Île-de-France, Orchestre de Chambre de Paris, Le Concert Spirituel (Hervé Niquet), Les Musiciens du Louvre (Marc Minkowski), Le Concert d'Astrée (Emmanuelle Haïm), Le Poème Harmonique (Vincent Dumestre). Her engagements for the 2024-2025 season include Mozart's Requiem in Versailles, Eurydice (Orphée aux Enfers) in Tours and Toulouse, Venus (Dardanus) in Bucharest and Radio-France. She receives grants from the Fondation L'Or du Rhin (Fondation de France), the Meyer Foundation and the Kriegelstein Foundation.

Debut at the Opéra national de Paris