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Ballet

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Sylvia

Manuel Legris

Palais Garnier

from 08 May to 04 June 2025

2h25 with 2 intervals

Synopsis

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Fauns, dryads and shepherds: such is the bucolic world inhabited by Sylvia, the nymph of Diana, goddess of the hunt. Compelled to remain chaste, will she have to renounce her love for Aminta, just as Diana had to sacrifice her passion for Endymion?

Originally conceived by Louis Mérante, Sylvia was the first ballet to be performed at the newly-opened Palais Garnier in 1876, to a brilliant score by Léo Delibes, who also composed Coppélia. But it is the version by Manuel Legris, a Paris Opera Étoile dancer and the director of the Teatro alla Scala Ballet Company, that is making its repertoire debut.

The choreographer brings psychological depth to the libretto by adding a prologue portraying Diana’s conflict-ridden world and gives greater prominence to the male roles.

Duration : 2h25 with 2 intervals

Show acts and characters

CHARACTERS

Diana: Goddess of hunting and chastity.
Sylvia: Diana’s Nymph.
Aminta: Young shepherd in love with Sylvia.
Eros: God of love.
Orion: The Black Hunter.
Endymion: Diana’s impossible love.

First part

Prologue

Between dream and reality

«Sylvia or Diana’s Nymph...»

Diana, goddess of hunting, sees Sylvia as her double, bonded with her by their shared love of hunting and their vows of chastity... Be that as it may, the goddess is in turmoil. As she glances around, she no longer sees Sylvia, but Endymion, whom she loves obsessively. The very same man she put to sleep forever, so that she might gaze upon him young and beautiful, without ever renouncing her vows. Diana tries to pull herself together, but Endymion is there before her, responding to her passion... The goddess yields! But soon, the sound of horns brings her brutally back to reality. The gods be thanked, it is truly Sylvia who stands before her once again! Diana grabs her bow: let the hunt begin.

Act 1: 
At night, in the sacred forest, a statue of the god of love: Eros


The place is home to the spirits of the forest, who seek each other out, call to each other and frolic merrily in the faint moonlight. Suddenly, sensing the approach of a human, they all hide and watch. The shepherd Aminta returns to the place where, on a moonlit night, he glimpsed a huntress of unforgettable beauty. He comes here to pray to Eros to grant him the favour of seeing

her again... Aminta is roused from his reverie by the sound of horns announcing the arrival of the huntresses led by Sylvia: he hides. Sylvia and her companions celebrate the pleasures of the hunt. As disciples of Diana, they have renounced love and take mischievous pleasure in mocking the statue of Eros. Diana returns and notices Aminta’s cloak. She hastens to show it to Sylvia, who immediately orders everyone to take up their bows and search for the intruder. Aminta is quickly discovered and handed over to Diana, who, in her anger, throws him at Sylvia’s feet.

Fearful of what awaits him, Aminta finds the courage to declare his love for Sylvia. She turns her anger on Eros and shoots an arrow at him. Aminta attempts to protect the god, but the arrow strikes him and he collapses. The statue of Eros comes to life; the god of love, sure of his power, shoots an arrow at Sylvia. She puts her hand to her heart, now open to love! Growing impatient, Diana gives the signal to leave, and

the huntresses obey. Sylvia follows them, reluctantly abandoning Aminta.

Before setting off for work, the peasants invoke Eros, their favourite god. At that moment, Orion appears, surrounded by his creatures. He approaches Aminta, as if to make sure that his rival is dead, then disappears. A distraught Sylvia returns to Aminta and, pressing the arrow against her heart, asks him for forgiveness. Orion seizes the moment to abduct Sylvia. When they return, the peasants discover Aminta lying motionless. They mourn their friend and, overcome with despair, beg Eros to come to their aid. A sorcerer happens to be passing by.

The peasants urge him to intervene. The sorcerer takes an olive branch and touches Aminta with it, bringing him back to life. Immediately, the shepherd worries about Sylvia’s fate. The villagers inform him that Orion has kidnapped her. They point to the sorcerer as her saviour. Aminta hastens to thank him and, in awe of his powers, begs him to help him find Sylvia. The sorcerer is moved and reveals his true identity: he is Eros himself. Warning Aminta of the dangers he faces, he shows him the direction in which Orion has fled.

Second part

Act 2:
The grotto, Orion's lair

Orion returns to his lair carrying Sylvia, whom he lays down lifeless on his bed. He gazes at her and expresses his delight at finally having Sylvia at his mercy. Sylvia regains consciousness, frightened in this unknown place populated by creatures and face to face with Orion. She realises that she is the helpless captive of the Black Hunter! Sylvia rejects his advances and tries to escape, but Orion blocks her way. The Black Hunter does not give up: he employs a strategy of seduction, mobilising his accomplices to entertain her. They all obey, starting to dance and drink...

An idea takes shape in the captive’s mind: she decides to join them, pretending to take part in the revelry all the better to get

Orion inebriated, and then make her escape. Sure enough, Orion, completely drunk, becomes increasingly insistent. To achieve her ends, Sylvia exaggerates her charms and offers Orion one last glass, which he downs in one gulp. He collapses. With everyone incapacitated, Sylvia regains hope. She grabs her bow and addresses Eros. She begs his forgiveness for having insulted him and implores him to come to her rescue. The god of love appears astride Pegasus. He forgives Sylvia and invites her to follow him, promising to take her to Aminta.

Third part

Act 3:
Near the temple of Diana

The festivities in honour of the god Bacchus are at their height, bringing together peasants and minor deities of nature in a joyful celebration. Aminta, despairing at the results of his futile endeavour, calls upon the peasants to testify to his misfortune. Soon, hope is reborn when Eros enters, surrounded by huntresses. To test Aminta a little more, he has chosen to hide Sylvia and veil his attendants.

While the nymphs dance, Aminta struggles to recognise his beloved. Eros finally grants the shepherd’s wish and reveals the beautiful Sylvia: the couple is finally reunited. But the celebration is abruptly interrupted by the arrival of Orion, determined to take Sylvia back. Frightened, the latter takes refuge in Diana’s temple.

Aminta tries to stop Orion, who forces his way through and reaches the sanctuary. But Diana appears. Before he can enter the temple, the goddess draws her bow and shoots... The hunter collapses. Diana then turns her reproaches towards her faithful Sylvia. Aminta throws himself at the goddess’s feet and accuses himself of being solely responsible for all the confusion. The Huntress remains unyielding: this human must be punished. Alerted to the danger, Eros intervenes. He addresses Diana, whose romantic torments he knows well. The goddess, undeterred, shows no weakness.

So Eros conjures up Endymion. This time, Diana, struck deep in her heart, gives way to emotion and agrees to let Sylvia love her shepherd freely. Resigned, Diana now assumes the form in which we can still admire her today. She will be the Moon, which every night shines down on Endymion, the handsome sleeper.


Artists

New to the repertoire

Ballet in three acts
Choreography after Louis Mérante
Libretto by Manuel Legris and Jean-François Vazelle after Jules Barbier and Jacques de Reinach

Creative team

Cast

  • Thursday 08 May 2025 at 20:00
  • Friday 09 May 2025 at 20:00
  • Saturday 10 May 2025 at 20:00
  • Tuesday 13 May 2025 at 20:00
  • Wednesday 14 May 2025 at 20:00
  • Thursday 15 May 2025 at 20:00
  • Friday 16 May 2025 at 19:30
  • Saturday 17 May 2025 at 20:00
  • Sunday 18 May 2025 at 14:30
  • Wednesday 21 May 2025 at 20:00
  • Thursday 22 May 2025 at 20:00
  • Friday 23 May 2025 at 20:00
  • Saturday 24 May 2025 at 20:00
  • Tuesday 27 May 2025 at 20:00
  • Wednesday 28 May 2025 at 20:00
  • Thursday 29 May 2025 at 20:00
  • Friday 30 May 2025 at 20:00
  • Saturday 31 May 2025 at 20:00
  • Wednesday 04 June 2025 at 20:00

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

Latest update 22 April 2025, cast is likely to change.

With the Paris Opera Étoiles, Premières Danseuses, Premiers Danseurs and Corps de Ballet
The Paris Opera Orchestra
A recording ofSylvia will be made on May 21 and 23, directed by Louise Narboni and co-produced by the Opéra national de Paris, Arte, and Telmondis, with the support of the CNC and the Orange Foundation, patron of the Paris Opera's audiovisual broadcasts.

The ballet will be broadcast later on Arte.tv and Arte, followed by POP.

Media

Access and services

Palais Garnier

Place de l'Opéra

75009 Paris

Public transport

Underground Opéra (lignes 3, 7 et 8), Chaussée d’Antin (lignes 7 et 9), Madeleine (lignes 8 et 14), Auber (RER A)

Bus 20, 21, 27, 29, 32, 45, 52, 66, 68, 95, N15, N16

Calculate my route
Car park

Q-Park Edouard VII16 16, rue Bruno Coquatrix 75009 Paris

Book your parking spot
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In its original version, Sylvia, or the Nymph of Diana, was choreographed by Louis Mérante and created on 14 June 1876 at the Paris Opera, a year and a half after the theatre’s inauguration on 5 January 1875. This ballet was bold in many respects: the traditional tutu was replaced by tunics, while the libretto drew on a subject from Antiquity at the height of the Romantic period.

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

  • Restaurant

    CoCo is open every day from 12:00 pm to 2:00 am. More information on coco-paris.com or at +33 1 42 68 86 80 (reservations).

  • Parking

    You can park your car at the Q-Park Edouard VII. It is located at Rue Bruno Coquatrix 75009 Paris (in front of 23 Rue de Caumartin).

    BOOK YOUR PARKING PLACE.

At the Palais Garnier, buy €10 tickets for seats in the 6th category (very limited visibility, two tickets maximum per person) on the day of the performance at the Box offices.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €25 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €40 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Palais Garnier
  • Every day from 10 a.m. to 6:30 p.m. and until performances end
  • Get in from Place de l’Opéra or from within the theatre’s public areas
  • For more information: +33 1 53 43 03 97

Palais Garnier

Place de l'Opéra

75009 Paris

Public transport

Underground Opéra (lignes 3, 7 et 8), Chaussée d’Antin (lignes 7 et 9), Madeleine (lignes 8 et 14), Auber (RER A)

Bus 20, 21, 27, 29, 32, 45, 52, 66, 68, 95, N15, N16

Calculate my route
Car park

Q-Park Edouard VII16 16, rue Bruno Coquatrix 75009 Paris

Book your parking spot
super alt text
super alt text
super alt text
super alt text
super alt text
super alt text

In its original version, Sylvia, or the Nymph of Diana, was choreographed by Louis Mérante and created on 14 June 1876 at the Paris Opera, a year and a half after the theatre’s inauguration on 5 January 1875. This ballet was bold in many respects: the traditional tutu was replaced by tunics, while the libretto drew on a subject from Antiquity at the height of the Romantic period.

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

  • Restaurant

    CoCo is open every day from 12:00 pm to 2:00 am. More information on coco-paris.com or at +33 1 42 68 86 80 (reservations).

  • Parking

    You can park your car at the Q-Park Edouard VII. It is located at Rue Bruno Coquatrix 75009 Paris (in front of 23 Rue de Caumartin).

    BOOK YOUR PARKING PLACE.

At the Palais Garnier, buy €10 tickets for seats in the 6th category (very limited visibility, two tickets maximum per person) on the day of the performance at the Box offices.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €25 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €40 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Palais Garnier
  • Every day from 10 a.m. to 6:30 p.m. and until performances end
  • Get in from Place de l’Opéra or from within the theatre’s public areas
  • For more information: +33 1 53 43 03 97

Partners

  • Grande Mécène de la saison

  • With the support of the Cercle Noverre

  • Sponsor of Sylvia

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