'Rudolf Noureev, Swan Lake, my parents and I' - Young Audiences - Season 22/23 Programming - Opéra national de Paris

  • Workshop

    'Rudolf Noureev, Swan Lake, my parents and I'

    Amphithéâtre Olivier Messiaen - on 18 March 2023 at 10:30 am

    Elena Bauer / OnP

See all informations

'Rudolf Noureev, Swan Lake, my parents and I'

Amphithéâtre Olivier Messiaen - on 18 March 2023 at 10:30 am

Workshop

'Rudolf Noureev, Swan Lake, my parents and I'

Amphithéâtre Olivier Messiaen - on 18 March 2023 at 10:30 am

1h30 no interval

About

In few words:

Designed around the programming of the Ballet, the "Choreographers, My Parents and I", workshops led by dancer Louis Combeaud, provide a sensitive approach to dance. The families who take part in the workshops will be able to understand the artist's approach through the practice of dance.
These practical artistic workshops allow for a better appreciation of the shows and to fully enter the artist's universe.

For this workshop, Louis Combeaud invites you and your family to a dancing discovery Rudolf Nureyev's famous Swan Lake.


Reservation procedure

  • This workshop is for children, teenagers and accompanying adults.
  • Single children are not allowed.

Saturday 18 March 2023, at 10:30 am

Prices
Adult: € 5
Under 15 years old: € 4

SWAN LAKE

from 10 December 2022 to 01 January 2023
at the Opera Bastille

Performances

Book your tickets today with the Season Pass

Available in audiodescription

Advantages

Full

Book your tickets today with the Season Pass

Available in audiodescription

Advantages

Full

Whether you’re a member of Arop or not, the friends of the Opera can reserve seats for you on all performance dates, including those not yet open for sale and those announced as sold out.

Backstage

  • An otherworldly ballet

    Video

    An otherworldly ballet

© Yonathan Kellerman / OnP

An otherworldly ballet

05:01’

Video

An otherworldly ballet

Myriam Ould-Braham rehearses Swan Lake

By Antony Desvaux

Danseuse Étoile, Myriam Ould-Braham interprets the dual role of Odette and Odile – the White and Black Swans – in Swan Lake. Created in 1984 for the Paris Opéra Ballet, Rudolf Nureyev’s production magnifies the psychological depth of Petipa, Ivanov and Tchaikovski’s opus.

Myriam Ould-Braham tells about her work rehearsing with Florence Clerc and the way she defines through movement the White Swan as virginal and mystical, and the Black Swan as deceitful and cruel. Finally, she highlights the role of the Corps de Ballet, truly posing as a flock of birds dancing in unison with the principal figure of the woman-swan.  

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