Megan Marino has earned numerous distinctions in the United States (the William Mattheus Sullivan Foundation Award, the Shaulis / Gasterec Emerging Singers Grant, and the George London Foundation’s Norma Newton Award among others). She was a resident artist at the Santa Fe Opera, where she sang the role of Page in Salomé and appeared in the world premiere production of Jennifer Higdon’s Cold Mountain. She also participated in the Palm Beach Opera’s programme for young singers where she tackled the roles of Angelina in La Cenerentola and Mrs Grose in The Turn of the Screw. She has performed numerous other roles in theatres across America, including Prince Orlofsky (Die Fledermaus), Pitti-Sing (The Mikado), Mercédès (Carmen), Phoebe (The Yeomen of the Guard), Anita (West Side Story), Tisbe and Angelina (La Cenerentola), Rosina (Il Barbiere di Siviglia), Meg Page (Falstaff), Varvara (Kátia Kabanová), and Hänsel (Hänsel und Gretel). She made her debut appearance at New York’s Metropolitan Opera in 2013 in Die Frau ohne Schatten (singing the voice of an unborn child). She went on to portray Annina in Der Rosenkavalier at the Lyric Opera in Chicago, Angelina and Despina (Così fan tutte) at the Opera Delaware, and the Second Nymph in Rusalka at the Metropolitan Opera. She also participated in the American premiere of Kurt Weill’s The Road of Promise with the Collegiate Chorale at Carnegie Hall. This season, she returned to the Metropolitan Opera to sing the role of Myrtale in Thaïs and she added two new roles to her repertoire: Olga in Eugene Onegin in Kansas City and Suzuki in Madama Butterfly in Santa Fe. Megan Marino also performs in concert (Handel’s Messiah, Bach’s St Matthew Passion, Haydn’s Mass N° 6).
Projects: Meg Page (Falstaff) in Dallas.
Megan Marino is making her Paris Opera debut.