© Dario Acosta
Jacquelyn Stucker is a graduate of the New England Conservatory with a Doctorate in Musical Arts, and a former member of the Jette Parker Young Artist Programme at The Royal Opera House, Covent Garden. She was a finalist in the London Handel Society Solo Competition, the second-place prize-winner of the inaugural Glyndebourne Opera Cup in 2018, a finalist of the Metropolitan Opera National Council’s New England Region auditions, a semi-finalist in the 2016 Young Concert Artists International Auditions, and a National Semi-Finalist in the 2017 Metropolitan Opera National Council Auditions.
Recent highlights include the roles of Poppea (L’incoronazione di Poppea) at the Aix-en-Provence Festival, Dalinda (Ariodante) at the Palau de les Arts Reina Sofía in Valencia, Armida (Rinaldo) in Glyndebourne, Freia (Das Rheingold), Tytania (A Midsummer Night’s Dream) and Gretel (Hänsel und Gretel) at the Deutsche Oper Berlin, Azema (Sémiramis) at the Bayerische Staatsoper Munich and the Royal Opera House Covent Garden, Aphrodite (Phaedra by Henze), Frasquita (Carmen), Alessandro (Bérénice), Susanna (Le Nozze di Figaro) and Prilepa (The Queen of Spade) at the Royal Opera House.
During the 2022/23 season, she portrayed Pamina (The Magic Flute) at the Royal Opera House, Zerlina (Don Giovanni) and the le title role in L'incoronazione di Poppea at the Palau de les Arts Reina Sofía in Valencia, the title role in Orphée et Eurydice with the Ensemble Pygmalion. On the concert platform, she performed in Beethoven’s Missa solemnis with the Oslo Philharmonic Orchestra, Berg’s Les Sieben frühe Lieder with the Minnesota Orchestra, and Ein deutsches Requiem (Brahms) at the Tokyo Spring Festival.
This season, she is Zabelle (George Benjamin’s Picture A Day Like This) at the Royal Opera House and Rosalinde (Die Fledermaus) at the Hamburg Staatsoper, Teatro Real Madrid and Théâtre des Champs-Élysées. She is also singing in Poulenc’s Gloria with the Reno Philharmonic.
Paris Opera debut
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