Antoine Arbeit
Maxime Camo
Karima El Amrani
Lucie Gemon
Léa Scher
Julien-Henri Vu Van Dong
Set design
Thomas Lebrun
Costume design
Laurianne Scimemi Del Francia
Lighting design
Françoise Michel
Video
Charlotte Rousseau
Chorus master
Olivier Schneebeli
Chanteurs de l’Académie de l’Opéra national de Paris
Royal College of Music International Opera School
Royal College of Music Baroque Orchestra
Les Chantres du Centre de musique baroque de Versailles
Avec la participation de danseurs invités
Coproduction avec le Centre de musique baroque de Versailles
En partenariat avec le Royal College of Music, London
"Let us dance and sing one and all, let us enjoy tender moments, and charming hours for happy lovers!"
Chœur des mariniers, Première entrée, scène V
After the scandal surrounding the first performance of Hippolyte et Aricie and the stormy reception of Les Indes galantes, Jean-Philippe Rameau finally gained incontestable fame with the opera‑ballet Les Fêtes d’Hébé ou Les Talens liriques. First performed at the Paris Royal Academy of music on 21st May 1739, the work was to be performed many times to constant acclaim up until 1770. The Prologue portrays Hébé, the goddess of youth, harassed by the Pleasures and obliged to flee Olympus and find solace in the arms of Love. The work recounts the victories of the God of Love in three acts or “Entrées” entitled “La Poésie”, “La Musique” and “La Danse”. With a libretto designed above all to show the arts of dancing and singing to full advantage, first in epic, then lyric and finally pastoral style, Rameau is able to give unfettered rein to his genius. The choreographer Thomas Lebrun proposes a resolutely contemporary interpretation of Rameau’s “opéra-ballet” with the artists of the Paris Opera Academy, choristers from the Centre de Musique Baroque in Versailles and the musicians of London’s Royal College of Music.
Représentations tout public - Voir les séances 22 mars 2017 à 20h 23 mars 2017 à 20h 25 mars 2017 à 20h
Exclusive evenings for spectators aged under 40, including a presentation of the work, specific entertainments and a 40% reduced rate on all seat categories
