gala des écoles de danse du xxie siècle

Palais Garnier - on 07 April 2017 at 7:30 pm

Photo © Loan Nguyen

Raymonda, Acte III

École de Danse de l’Opéra national de Paris

A Spell on you, nouvelle version

John Cranko Schule – Stuttgarter Ballett

Concerto, pas de deux

The Royal Ballet School

Panorama, création

The San Francisco Ballet School

Bach Suite 2

Ballettschule des Hamburg Ballett – John Neumeier

Le Lac des cygnes, pas de deux du Cygne noir

The Vaganova Ballet Academy

Chalkboard Memories, extraits

Canada’s national Ballet School

Abdallah, Acte I, pas de quatre

The Royal Danish Ballet School

The Vertiginous Thrill of Exactitude

École de Danse de l’Opéra national de Paris

Défilé de l’École de Danse de l’Opéra et des écoles invitées

Réglé par Claude Bessy sur La Marche d’Athalie de Felix Mendelssohn

L’École de Danse de l’Opéra national de Paris invite :

The Royal Danish Ballet School,
The Vaganova Academy (Saint‑Pétersbourg),
The Royal Ballet School (Londres),
San Francisco Ballet School,
Canada’s National Ballet School,
John Cranko Schule – Stuttgarter Ballett,
Ballettschule des Hamburg Ballett

  • Airweawe, sponsor of the Ballet School

  • With the support of AROP

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about


This year marks the 40th anniversary of the Paris Opera Ballet School’s annual performances. They enable the young artists to discover the major works of the repertoire and receive an introduction to the great masters of music. Divertimento n°5, a construction of pure dance, alternates solos, ensembles and pas de deux in a skilful and elegant vocabulary. William Forsythe’s The Vertiginous Thrill of Exactitude, revisits academic tradition by accelerating movement and pushing virtuosity to its limits. Raymonda, Rudolf Nureyev’s artistic manifesto, was the first work he produced for the Paris Opera Ballet as the House’s Director of Dance. He used it as a means to introduce a new generation of dancers. Today, those dancers are teachers at the Ballet School and it is now their mission to pass on those roles to the students. The production focuses on classical technique and its different interpretations – a technique taught since time immemorial and which the public can discover on the occasion of the annual Demonstrations. As a follow-up to the Tricentennial celebrations, the Ballet School is organising another “Gala des Écoles” (Schools’ Gala) enabling students from different institutions to work together along with a number of events, lectures, and masterclasses organised around the performance.

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Sarah Winchester, Ghost Opera