Stéphanie Loris was introduced to music as a child by learning the piano, and after a Master's degree in Econometrics, she chose to devote herself entirely to the study of singing.
She won the 1st Prize in Opera at the International Competition of Mâcon in 1999 and then joined the Opera Studio of the Lyon Opera for two consecutive seasons, where she played the roles of Rosita (Un mari à la porte by Offenbach), Laurette (Le Docteur Miracle by Bizet), Guillemette (La farce de Maître Pathelin by Barraud), Fé-an-nich-ton (Ba-ta-clan by Offenbach), Elisetta (Il matrimonio segreto by Cimarosa), or Berta (Il barbiere di Siviglia by Rossini) alongside artists such as Karine Deshayes, Svetlana Lifar or Paul Gay.She then took on the roles of Camilla Périchole (Le carrosse du Saint-Sacrement by Büsser) at the Opéra Comique, Najade (Ariadne auf Naxos by Strauss) at the Opéra de Tours, Juliette (Gounod) in Calais, Yvette (La Rondine by Puccini) and a Flower Girl (Parsifal) at the Opéra de Nice, Bubikopf (Der Kaiser von Atlantis by Ullmann) in Bonn and Bayreuth, The Queen Mother of Samarkand (Turandot by Busoni) at the Dijon Opera, Tosca with the Opera-Théâtre de Lyon in co-production with the Saint-Etienne Opera, Pamina (Die Zauberflöte), Micaëla (Carmen), Despina (Cosi fan tutte), Donna Anna (Don Giovanni), La Contessa Almaviva (Le nozze di Figaro) and Adina (L'Elisir d'Amore).
Stéphanie Loris has performed several times in concert with Jean-Christophe Keck and the Orchestre Pasdeloup for Offenbach series (Festival de Radio France, Salle Gaveau, Théâtre Mogador), as well as with the Orchestre des Pays de Savoie (La Folle Tournée) or the Ensemble orchestral de Paris. She was invited by Rolando Villazón to participate with him at the Tivoli Festival in Copenhagen in August 2010, in a recital of opera arias and duets.
Since the beginning of the 2017 academic year, Stéphanie Loris has been part of the Paris Opera Chorus.
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