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Peter Van Praet Lumières
© Fabrizio Sansoni
Biography
Peter Van Praet was chief lighting designer at the Opera of Flanders, where he began working with Robert Carsen, for whom he later designed the revivals of Semele at the English National Opera and Tosca at the Gran Teatre del Liceu in Barcelona. Since then, he has created, also for Robert Carsen, the lighting for Kátia Kabanová, The Cunning Little Vixen, Jenůfa, Der Rosenkavalier, Don Giovanni, The Makropulos Case, From the House of the Dead, Don Carlo, Falstaff, CO₂, The Beggar’s Opera, and more.
Peter Van Praet has also designed the lighting for Norma, Bluebeard’s Castle, and The Cunning Little Vixen in Brussels for Christophe Coppens. For Valentina Carrasco, he created the lighting for Carmen and Les Vêpres siciliennes in Rome, Aida and Tosca in Macerata, as well as the sets and lighting for La Favorite in Bergamo and Bordeaux. Last season, he designed the lighting for L’Orontea in Milan and The Excursions of Mr. Brouček in Berlin.
At the Opéra national de Paris: Lighting – Rusalka, 2002; Les Boréades, 2003; Capriccio, 2004; Tannhäuser, 2007; Elektra, 2013; The Magic Flute, 2014; Ariodante, 2023 | Lighting and sets – Nixon in China, 2023.
