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Fábian Schofrin
Dramatist
© Charlotte Dekaise
Biography
Born in Buenos Aires, Argentina, Fabián Schofrin studied cello and voice before moving to Europe in 1993, where he has since devoted himself to the performance of 17th- and 18th-century music. As a singer, he has collaborated with leading ensembles specializing in this repertoire, including Les Arts Florissants, conducted by William Christie, among others.
Since 2005, he has been a founding member of the ensemble Cappella Mediterranea, directed by Leonardo García-Alarcón, with whom he has taken part in numerous productions and recordings, both as a singer and as the artistic director of recordings. As musical and artistic assistant, he has collaborated on the following productions under the musical direction of Leonardo García-Alarcón: La Guerra de los Gigantes by Sebastian Durón, staged by Gustavo Tambascio (Teatro de la Zarzuela, Madrid, 2016); Eliogabalo by Francesco Cavalli, staged by Thomas Jolly (Opéra de Paris, Palais Garnier, 2016/ Dutch National Opera & Ballet, Amsterdam, 2017); Il Giasone by F. Cavalli, staged by Serena Sinigaglia (Grand Théâtre de Genève, Opéra des Nations, 2017/ Opéra Royal de Versailles, 2018); Erismena by F. Cavalli, staged by Jean Bellorini (Festival d’Aix-en-Provence, Théâtre du Jeu de Paume, 2017/ Théâtre Gérard Philipe, 2018/ Grand Théâtre de Luxembourg, 2019); El Prometeo Antonio Draghi, staged by Laurent Delvert, based on an idea by Gustavo Tambascio (Opéra de Dijon, 2018); King Arthur by Henry Purcell, staged by Marcial Di Fonzo Bo (Grand Théâtre de Genève, Opéra des Nations, 2018); Médée by Marc A. Charpentier, staged by David McVicar (Grand Théâtre de Genève, 2019); Les Indes Galantes by Jean P. Rameau, staged by Clément Cogitore (Opéra National de Paris, Opéra Bastille, 2019) and by Lydia Steier (Grand Théâtre de Genève, 2019); Alcina by Georg F. Handel, staged by Serena Sinigaglia (Opéra National de Lorraine, Nancy, 2020); La finta pazza by Francesco Sacrati, staged by Jean-Yves Ruf (Opéra de Dijon, 2019/ Opéra Royal de Versailles, 2019-2022/ Concertgebouw Amsterdam, 2022); Il Palazzo incantato by Luigi Rossi, staged by Fabrice Murgia (Opéra de Dijon, Opéra National de Lorraine, Nancy/ Opéra Royal de Versailles, 2021); L’incoronazione di Poppea by Claudio Monteverdi, staged by Ted Huffman (Festival d’Aix-en-Provence, Théâtre du Jeu de Paume, 2022/ Palau de les Arts Reina Sofía, Valencia, 2023/ Opéra de Toulon, 2023); Il ritorno d’Ulisse in patria by C. Monteverdi, staged by Pierre Audi (Festival d’Aix-en-Provence, Théâtre du Jeu de Paume, 2024); I Grotteschi, by C. Monteverdi, staged by Rafael Villalobos (Opéra Royal de La Monnaie, 2025).
As dramaturg: Pompeo Magno by F. Cavalli, staged by Max Emanuel Cencic (Margravial Opera House, Bayreuth, 2025) ; Ercole amante by Antonia Bembo, staged by Netia Jones (Opéra de Paris, Opéra Bastille, 2026).
Since 2005, he has been a founding member of the ensemble Cappella Mediterranea, directed by Leonardo García-Alarcón, with whom he has taken part in numerous productions and recordings, both as a singer and as the artistic director of recordings. As musical and artistic assistant, he has collaborated on the following productions under the musical direction of Leonardo García-Alarcón: La Guerra de los Gigantes by Sebastian Durón, staged by Gustavo Tambascio (Teatro de la Zarzuela, Madrid, 2016); Eliogabalo by Francesco Cavalli, staged by Thomas Jolly (Opéra de Paris, Palais Garnier, 2016/ Dutch National Opera & Ballet, Amsterdam, 2017); Il Giasone by F. Cavalli, staged by Serena Sinigaglia (Grand Théâtre de Genève, Opéra des Nations, 2017/ Opéra Royal de Versailles, 2018); Erismena by F. Cavalli, staged by Jean Bellorini (Festival d’Aix-en-Provence, Théâtre du Jeu de Paume, 2017/ Théâtre Gérard Philipe, 2018/ Grand Théâtre de Luxembourg, 2019); El Prometeo Antonio Draghi, staged by Laurent Delvert, based on an idea by Gustavo Tambascio (Opéra de Dijon, 2018); King Arthur by Henry Purcell, staged by Marcial Di Fonzo Bo (Grand Théâtre de Genève, Opéra des Nations, 2018); Médée by Marc A. Charpentier, staged by David McVicar (Grand Théâtre de Genève, 2019); Les Indes Galantes by Jean P. Rameau, staged by Clément Cogitore (Opéra National de Paris, Opéra Bastille, 2019) and by Lydia Steier (Grand Théâtre de Genève, 2019); Alcina by Georg F. Handel, staged by Serena Sinigaglia (Opéra National de Lorraine, Nancy, 2020); La finta pazza by Francesco Sacrati, staged by Jean-Yves Ruf (Opéra de Dijon, 2019/ Opéra Royal de Versailles, 2019-2022/ Concertgebouw Amsterdam, 2022); Il Palazzo incantato by Luigi Rossi, staged by Fabrice Murgia (Opéra de Dijon, Opéra National de Lorraine, Nancy/ Opéra Royal de Versailles, 2021); L’incoronazione di Poppea by Claudio Monteverdi, staged by Ted Huffman (Festival d’Aix-en-Provence, Théâtre du Jeu de Paume, 2022/ Palau de les Arts Reina Sofía, Valencia, 2023/ Opéra de Toulon, 2023); Il ritorno d’Ulisse in patria by C. Monteverdi, staged by Pierre Audi (Festival d’Aix-en-Provence, Théâtre du Jeu de Paume, 2024); I Grotteschi, by C. Monteverdi, staged by Rafael Villalobos (Opéra Royal de La Monnaie, 2025).
As dramaturg: Pompeo Magno by F. Cavalli, staged by Max Emanuel Cencic (Margravial Opera House, Bayreuth, 2025) ; Ercole amante by Antonia Bembo, staged by Netia Jones (Opéra de Paris, Opéra Bastille, 2026).
Currently in
- Opéra Bastille
- from 28 May to 14 June 2026
