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MÉDÉE by Marc-Antoine Charpentier
Possibly mythology’s most unfathomable character: Medea, the sorceress, betrayed by her husband Jason, takes revenge by offering the latter’s lover a poisoned dress and then killing her own children. Such a destiny, so often portrayed in the arts, could not but be embodied at the Opera.
AIDA by Giuseppe Verdi
How to choose between love for an enemy general and love for one’s homeland? Such is the dilemma faced by Aida, an Ethiopian princess enslaved in Egypt, who also has to contend with the rivalry of Amneris, the Pharaoh’s daughter, who loves the same man as her, Radames. Yet it is proud Amneris who begs the priests to pardon Radames after he unwittingly betrays a military secret.
BEHIND THE SCENES AT THE OPERA
Episode 3 – We Do Things So They Play…
Today, Laure is away from the Opera, teaching millinery at a high school—she will select her future interns from among her students. Meanwhile, Luis, a baritone from the academy, is in the middle of a rehearsal in the amphitheater.
Episode 4 – The Details Make the Difference
Elisa gets lost in the corridors of Bastille—it’s her first day as an intern with Laure in the millinery workshop. Gregory, the ballet master, begins working on Hofesh Shechter’s new contemporary creation, RED CARPET.
