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In the wake of The Rite of Spring (1997) and Orpheus and Eurydice (2005), Kontakthof is Pina Bausch’s third piece to enter the repertoire of the Paris Opera Ballet. In it we find all the elements that characterise this German choreographer: love, angst, violence, desire, sadness and also considerable humour. In a set by Rolf Borzik – a large ballroom with grey walls...
It is hard to believe that Pyotr Ilyich Tchaikovsky's first ballet, Swan Lake, created in 1877 for the Bolshoi Theatre in Moscow, was a failure, so striking is its music's melodic power. It was not until twenty years later - but Tchaikovsky was already dead - that the ballet was brought to the stage in the choreography of Marius Petipa and Lev Ivanov....
Find the details of the artistic line-up.
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