© Monika Rittershaus
Choreographer Ramses Sigl collaborates with director Claus Guth regularly, on projects at Frankfurt Opera (The Merry Widow, Der Rosenkavalier, and Dialogues des carmélites), at Theater an der Wien (Saül, L'incoronazione di Poppea and Handel’s Messiah), at Staatsoper Unter den Linden, Berlin (Juliette, or Key of Dreams, Aschemond and Don Giovanni), at Teatro Real Madrid (Rodelinda) and Glyndebourne (La clemenza di Tito).
He set the choreographies for Le Nozze di Figaro and Così fan tutte directed by Claus Guth for the Salzburg Festival. Ramses Sigl also works frequently with director Jens-Daniel Herzog. Together, they worked at Zurich Opera (Rinaldo and Les Pêcheurs de perles), Semperoper in Dresden (Giulio Cesare, Capriccio and Die Meistersinger von Nürnberg), Dortmund Opera (The Flying Dutchman and Anna Nicole), for the Salzburg Festival (The Magic Flute) and, more recently, at Staatstheater in Nuremberg (War and Peace, L’Orfeo, Le Nozze di Figaro, and the world premiere of Turing).
Recently, he worked with Rolando Villazón for the Salzburg Festival (The Barber of Seville). He also choreographed three of his own creations for the Schauburg München - Theater für junges Publikum (Klasse Klasse, Welcome to my world). Ramses Sigl also works for the cinema and the television.
He teaches at the Bayerische Theaterakademie August Everding in Munich, where he was dance director (musicals) from 1998 to 2012, at the Iwanson International School of Contemporary Dance in Munich and the Academy of the Royal Swedish Ballet.
Paris Opera debut
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