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Her studies in Paris and the Netherlands, in fashion and stage costume design, developed her interest in blending disciplines and experimenting with materials.
She began in 1995 by creating and producing props and scenic paintings.
In 1997, she entered the world of musical theater and started collaborating with CRÉA. For this vocal and stage creation center, she has designed and realized over 1,500 costumes across 21 original musical productions.
She has also created for the theater with the Studio d’Asnières and ESCA: École Supérieure de Comédiens par l’Alternance, founded by Jean-Louis Martin-Barbaz and Hervé van Der Meulen.
Her creations and costume designs in Hervé Van Der Meulen’s productions include Les Mamelles de Tirésias, La Dame de chez Maxim, Jeux de Massacre, Beaucoup de Bruit pour Rien, Le Dialogue des Carmélites, Peines d’Amour Perdues, Rabelais, L’Épaule de Dieu, and La Maison d’Os; and in Yveline Hamon’s productions: Les Malheurs de Sophie and Les Petites Filles Modèles.
She has created costumes for various companies and artists: La Compagnie Babel, Elise Chatauret: Babel, Antigone; Le Studio Théâtre de la Comédie Française: Dance Floor Memories; La Compagnie Damien Bricoteaux: Quand j’avais 5 ans je m’ai tué, Je suis un rêve, Le Songe d’une nuit d’été; Jeanne Mordoj: La Poème; singer Magali Ripoll: Radio Active; comedians Claudia Tagbo: Lucky, Le Grand Gala d’ouverture du Festival du Rire de Montreux 2018; and Sandra Colombo: Instagrammable and Cervelée.
In parallel, contemporary dance, hip-hop, and circus arts have provided her with an inexhaustible field of exploration due to the particular demands of these disciplines: Christian Bourigault: Qui Danse?, Sur un air Deux; Le Théâtre des Opérations: La Princesse Métamorphée; Stéphanie Nataf’s Losange company: Zou; Céline Lefèvre’s C’Mouvoir: Vous Désirez; and Académie Fratellini: A table!.
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