Damien Robert Director

Biography

A graduate of the École Nationale Supérieure des Arts et Techniques du Théâtre (E.N.S.A.T.T.), he has worked, among others, with Richard Brunel, Philippe Sire, Stéphane Auvray-Nauroy, Sandrine Lanno, Philippe Delaigue, Olivier Rey, Olivier Maurin and Cécile Bournay.

In 2018, as a recipient of the CFPL project call alongside Irène Bernaud and Thibault Sinay, he directed Un Barbier, a participatory opera based on Rossini’s The Barber of Seville, notably presented at the Opéra Comédie in Montpellier. Together with Nicolas Orlando and Thibault Sinay, he founded the company OR3S – cie des ores, creating Playing with Fire by August Strindberg in 2019 and The Last Train to Berlin in 2020. He also co-directed Presque Macbeth, based on Shakespeare’s Macbeth, with Jérémy Lopez, as well as Benedetto et Müller, and assisted Catherine Anne in her productions of Fort, Trois Femmes, L’École des femmes and Agnès.

His theatre credits include Twelfth Night, directed by Delphine Cottu; Au cœur du Bocage, Au fond de la Vallée, Comédies Tragiques and Le Ciel est pour Tous, directed by Catherine Anne; Zone, directed by Guillaume Fulconis; À la Nuit où j’ai tremblé, directed by Nicolas Orlando; L’Interpellation…, directed by Samaël Steiner; Cabaret, directed by Laurent Brethome; Les Aventures de Zelinda et Lindoro, directed by Jean-Pierre Vincent; Chœur Final, directed by Guillaume Lévêque; La Folie Sganarelle, directed by Claude Buchvald; Virginité, directed by Charly Marty; and Décalogue, directed by Olivier Maurin, Philippe Delaigue and Johanny Bert.

He also teaches Theatre and Directing History and conducts research on The Tools of Theatrical Representation at the University of Savoie and Haute-Savoie.

Currently in

Immerse in the Paris Opera universe

Corporate Partnerships