Agathe Poupeney / OnP

Agathe Poupeney / OnP

Opera

La Fille du régiment

Gaetano Donizetti

Opéra Bastille

from 17 October to 20 November 2024

from €37 to €200

2h40 with 1 interval

La Fille du régiment

Opéra Bastille - from 17 October to 20 November 2024

Synopsis

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In 1838, Gaetano Donizetti moved to Paris after a career already rich in works such as Lucia di Lammermoor, when he received a commission from the Opéra-Comique. La Fille du régiment, his first work written directly in French, premiered there two years later and gave the composer the opportunity to explore a broad range of musical styles, from the boisterous overture to bravura arias such as “Ah! mes amis” and poignant, languorous romances.

Foreshadowing Offenbach, this military opera about a vivandière, Marie, adopted at birth by a French regiment, doubles as a sentimental fable and a comic confrontation between two opposing worlds, that of the military encampment and that of the aristocracy.

Laurent Pelly takes on this pinnacle of bel canto with his characteristic verve. Setting the work during the 1914 war rather than the Napoleonic Wars and adapting the dialogue, the director modernises the piece without sacrificing a single ounce of its brio.  

Duration : 2h40 with 1 interval

Language : French

Surtitle : French / English

Show acts and characters

CHARACTERS

Marie: young vivandière
Tonio: young Tyrolean
Sulpice: sergeant
The Marchioness of Berkenfield
Hortensius: marquise's steward
The Duchess of Crakentorp

First part

Act 1 

The year is 1815, in the Tyrolean mountains. The Marquise de Berkenfield and her butler Hortensius have been caught by surprise by the advancing French troops the very day they are preparing to flee to Austria. The Marquise finds herself among the villagers. The men are carrying rifles, the women are praying to the Virgin Mary (Sainte Madone).

Perhaps as a result of the prayers, the French troops leave the mountain. The Marquise is relieved, after having been so afraid (Pour une femme de mon nom). She retires to get some rest. Left alone, Hortensius finds himself opposite Sulpice, a sergeant in the 21st regiment. The butler is terribly afraid but he manages to obtain a pass for himself and his mistress. Marie joins Sulpice. She is the adopted daughter of the regiment that found her on a battlefield twelve years earlier (Au bruit de la guerre, j’ai reçu le jour).

The entire regiment has acted as a father to her (Mon régiment, j’en suis fière vraiment). Lately, Marie has become a vivandière (Nommée à l’unanimité). However, for some time now, Marie has been seeing a Tyrolean partisan, Tonio. Sulpice is anything but happy with his daughter’s new relationship. Marie is sad and in love. She and Tonio have decided not see each other anymore. Meanwhile, the entire regiment arrives escorting the Tyrolean who, at the risk of being killed, has come to meet with Marie. (C’est un traître, qu’il périsse). Marie saves Tonio just as he saved her life after she almost fell off a cliff while picking flowers (Quoi, la mort à celui qui me sauva la vie!). The Tyrolean drinks to his new friends, Marie sings the regimental song (Il est là, morbleu, le beau Vingt-et-unième).

The regiment leaves taking Tonio with them, but he soon escapes to return to Marie (Quoi ! Vous m’aimez ?). Sulpice surprises them. Marie is compelled to admit to Tonio that she can only marry a soldier from the 21st regiment. Tonio refuses to give up. The Marquise of Berkenfield is given an escort by Sulpice in order to return to her castle. But Sulpice recognizes the name Berkenfield: the same name was on the letter found next to the infant Marie when she was recovered on the battlefield. We learn that the Marquise is the aunt of the vivandière. Appalled by Marie’s manners, she decides to bring her niece to the castle in the hope of giving her a decent education. Unfortunately Tonio has just enlisted on the French side (Ah! Mes amis, quel jour de fête!). He wins the hand of the vivandière. But Marie must leave the man she loves and her regiment (Il faut partir).

Second part

Act 2

We are at the home of the Marquise de Berkenfield. The latter has just arranged an advantageous marriage for Marie with Duke Scipion de Crackentorp. Sulpice, who is also at the castle is supposed to be assisting the Marquise in her project to re-educate Marie. On the agenda: music. Today, Marie has to sing an Italian love song (Le jour naissait dans le bocage). But Sulpice encourages Marie into disobedience (Rataplan, c’est le refrain du régiment). The military song blends with the love song.

The Marquise is furious and Marie is very unhappy (Sous les bijoux et la dentelle, je cache un chagrin sans espoir). Just then, the entire regiment bursts into the castle (C’est elle, notre fille!). Tonio is among them. The soldiers seize Hortensius, the butler. Tonio and Sulpice stay with Marie (Tous les trois réunis). Tonio asks the Marquise for Marie’s hand (Pour me rapprocher de Marie). The Marquise refuses so Tonio makes up his mind to speak. He has learned from his uncle that the Marquise is not Marie’s aunt. He considers abduction. However, alone with Sulpice, the Marquise admits the truth.

She is in fact Marie’s mother and the father was Captain Robert, a soldier. Afraid that a love affair unbefitting of her station would become public, she abandoned her child. The guests arrive for the signature of the marriage contract. Marie refuses to leave her room. The Marquise doesn’t know what to do. The dreadful Duchess of Crackentorp quickly grows impatient. Meanwhile, Sulpice decides to enlighten Marie as to the secret of her birth.

She can no longer refuse. Marie indeed comes out of her room. However, as she prepares to sign the contract, all the soldiers, led by Tonio, burst into the marriage chamber (Au secours de notre fille, nous accourrons tous ici). The guests are horrified to learn that the young girl was a vivandière (Une fille de régiment) but confronted by Marie’s feelings, they change their opinion (Au fait, elle est charmante). The Marquise does not wish to sacrifice her daughter and accepts her marriage to Tonio. Everyone present sings a final: Salut à la France.

Artists

Comic opera in two acts (1840)

Opéra-comique en deux actes

Creative team

Cast

The Paris Opera Orchestra and Chorus
A production Metropolitan Opera, New York, Royal Opera House Covent Garden, London, Staatsoper, Vienna

Media

[TRAILER] LA FILLE DU RÉGIMENT by Gaetano Donizetti
[TRAILER] LA FILLE DU RÉGIMENT by Gaetano Donizetti
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Access and services

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

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Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

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The voice is one of the most important instruments in Donizetti’s operas, concentrating all the technical and expressive demands of bel canto. Overshadowing the orchestra and the plot, it formed the bedrock of Italian opera’s theatrical emotions and musical intentions in the first decades of the 19th century. The vocal pyrotechnics featured in La Fille du régiment include the famous tenor aria “Ah, mes amis, quel jour de fête !” (Ah, my friends, what a festive day!), with no fewer than nine high Cs.

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

  • Parking

    You can park your car at the Q-Park Opéra Bastille. It is located at 34 rue de Lyon, 75012 Paris. 

    BOOK YOUR PARKING PLACE.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

Book your parking spot
super alt text
super alt text
super alt text
super alt text
super alt text

The voice is one of the most important instruments in Donizetti’s operas, concentrating all the technical and expressive demands of bel canto. Overshadowing the orchestra and the plot, it formed the bedrock of Italian opera’s theatrical emotions and musical intentions in the first decades of the 19th century. The vocal pyrotechnics featured in La Fille du régiment include the famous tenor aria “Ah, mes amis, quel jour de fête !” (Ah, my friends, what a festive day!), with no fewer than nine high Cs.

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

  • Parking

    You can park your car at the Q-Park Opéra Bastille. It is located at 34 rue de Lyon, 75012 Paris. 

    BOOK YOUR PARKING PLACE.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

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